Organization

Singer

Mezzo-soprano

Larisa Pominova

Varvara Vasilievna

Tenor

Leonty Salienski

Volodya Gavrilov

Bass

Andrey Zemskov

Fedot Petrovich

Soprano

Evgenya Kravchenko

Natasha

Baritone

Evgeniy Baev

Ivan Trofimov

Evgeny Nagovitsyn

Mishka

Vsevolod Kalmykov

Grishka

Natalya Pleshkova

The girl with a high voice

Natalya Kochubey

Katerina, divorced

Alexander Koryakov

Kondurushkin

Karolina Shapovalova

Anyutka, tractor driver

Dmitry Udi

Stage director

Yuri Alexandrov

Natalya Chernikova

Darya Modzalevskaya

Tatyana Karpacheva

Conductor

Alexander Goikhman

Maxim Valkov

Lighting designer

Irina Vtornikova

Set designer

Vyacheslav Okunev

Video designer

Victoria Zlotnikova

Choreographer

Nadezhda Kalinina

Chorus master

Igor Pototskiy

Pianist

Olga Mityokina

St Petersburg Chamber Opera

Not Love Alone

Saint Petersburg

Russia

Baron Fon Derviz Mansion (St Petersburg Chamber Opera)

Main stage

Not Love Alone Shchedrin

Public

Approved

The performance is the winner of the highest St. Petersburg theatrical award, Golden spotlights in the 2013-2014 season as the best drama performance at the opera house. 
The St. Petersburg premiere of “Not Only Love” by the famous composer Rodion Shchedrin was a landmark event. The composer himself described it as the best performance of his opera.
“Not Only Love” is a bright, sparkling performance that is close to the musical in its genre. The main focus of the performance, as director Yuri Alexandrov sees it, is love, of course. “The theme of love” , the director says, “is eternal and always relevant, no matter in what scenery it takes place.”
The performance attracts the audience with its free vocal, the “openness” of acting and lots of dancing. It is full of light lyricism and irony, that “juicy” humour typical for this genre and high drama. In its plot some experienced music lovers will recognize parallels with “Eugene Onegin” and even “Carmen.” 
Rodion Shchedrin, who saw the premiere in the St. Petersburg Chamber Opera, recalled the devastating 1961 performance. “Do you know why the show failed then? Because they were afraid of sex. And here today they are not. And it worked out. Personally, I can see on the stage a huge amount of love for those times and those people.”

English

Crèdits de representació (Repartiment i equipatge )

Repartiment

Tripulació