Organization

Direzione d'orchestra

Jack Symonds

Cantante

Mitchell Riley

Role

Morgan Pearse

Anna Yun

Anthony Hunt

Matthew Haskins

David Hansen

Sydney Chamber Opera

Notes from the Underground

Notes from the Underground Symonds

Public

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Costumi

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Mezzosoprano

Contralto

Basso-baritono

Basso

Soprano

Baritono

Controtenore

Tenore

Alto

Mimi

Narrazione

Voce bianca

Dostoevsky’s “Notes from Underground” is daring and wild. Set in colourful, torturous St Petersburg, it is a pessimistic indictment of the weaknesses of human will, containing one of the most extraordinary central characters in nineteenth century literature. Spiritually destitute, this man rages manically about himself, and then goes on to flesh out his soliloquy with anecdotes about the events ‘aboveground’ leading to his eventual retreat ‘underground’ as he rejects society and human relationships.

Acclaimed director Netta Yashchin stages a bold new operatic adaptation of “Notes from Underground” by Jack Symonds, to a libretto by Pierce Wilcox, for Sydney Chamber Opera. This adaptation finds the links between the underground tirade and the aboveground narrative and draws them simultaneously together. We can’t read the novel’s two halves at once, but music can fold time; it can fuse it, freeze it. Through music we can hear the two halves together, and so the opera is born: past and present in confrontation.

English

Notes from the Underground by Symonds, mar 02 ago 2011, Da (2011/2011), Direttore d'orchestra Jack Symonds

Crediti di rappresentazione (Cast e team di produzione )

Cast

Programma, informazioni e sinossi

Foto

Ulteriori letture

Date e sedi delle rappresentazioni

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