Organization

Zanger

Bass-baritone

Clive Bayley

Tirésias

Tenor

Yann Beuron

Laïos

Video ontwerper

Stéphane Pougnand

Soprano

Anna-Sophie Neher

Antigone

Baritone

Brian Mulligan

Créon

Mezzo-soprano

Ekaterina Gubanova

Jocaste

Clémentine Margaine

The Sphinx

Vincent Ordonneau

Shepherd

Bass

Laurent Naouri

High Priest

Contralto

Anne Sofie von Otter

Mérope

Christopher Maltman

Oedipe

Adrian Timpau

Thésée

Nicolas Cavallier

Phorbas

Daniela Entcheva

Thebans

Regisseur

Wajdi Mouawad

Dirigent

Ingo Metzmacher

Licht ontwerper

Eric Champoux

Kostuum ontwerper

Emmanuelle Thomas

Set designer

Emmanuel Clolus

Dramaturg

Charlotte Farcet

Koor meester

Chin-Lien Wu

Opéra National de Paris

Others

Maîtrise des Hauts-de-Seine

Orchestra

Paris Opera Orchestra

Frans

Parijs

Frankrijk

Opéra Bastille

To compose his masterwork, Enescu combined two Greek tragedies by Sophocles in order to tell the full story of Oedipus—Brilliantly brought to life by baritone Christopher Maltman—instead of solely setting the episode for which he has become infamous. “We are telling the story of a human being, [...] his whole life from its beginning to its end” explains stage director Wajdi Mouawad, “Oedipus is a taboo, he is a punishment incarnate” inflicted to his father Laïos (the excellent Yann Beuron) who will also cause the downfall of his mother, Queen Jocasta (the marvellous Ekaterina Gubanova). When Sophocles’s play premiered, the city of Athens was ravaged by a plague: “one needs to imagine a decimated city, where Apollo says ‘a crime was committed, it needs to be put right’. Then it turns out that the king, the one leading the investigation, discovers that he is the crime, that he is guilty”. This famous episode of Greek mythology, implanted in our own cultural and even linguistic landscape, shines in a new and different light in Enescu’s version, more subtle due to the importance of symbolism. The tale of Oedipus and the questions his legend raises were as relevant in Antiquity as they are in the 21st century.

Emmanuelle Thomas’s gorgeous costumes, Emmanuel Clolus’s sober scenography, as well as the talent of the performers: all contribute to immersing the audience in a fantastic and eternal world.

Oedipe Enescu

Public

Engels

Approved

En 1909, en sortant d’une représentation d’Œdipe roi à la Comédie‑Française, Georges Enesco s’empresse de transcrire les premières mesures de son futur et un...

[TRAILER] ŒDIPE by Georges Enesco

In 1909, leaving a performance of Oedipus as the King at the Comédie ‑ Française, Georges Enesco hastened to transcribe the first bars of his future and unique opera. Sophocles' piece has the effect of an electric shock on the Romanian composer who from then on, and even before having a libretto, works on his score, created in 1936 at the Paris Opera. The influence of Fauré, his master, Stravinsky, Debussy and ancient Romanian musical traditions nourish an orchestral and vocal writing of unparalleled originality. Despite a triumphant reception, the work was surprisingly rare on the stages during the 20th century. For his debut at the Paris Opera, Wajdi Mouawad tells us about the trajectory of Oedipus, this man who ignores himself, in a continuum of organic images, sometimes vegetal, sometimes aerial or aquatic.https://www.operadeparis.fr/saison-21...

DIRECTION Wajdi Mouawad MUSIC DIRECTOR Ingo Metzmacher WITH Christopher Maltman Clive Bayley Brian Mulligan Vincent Ordonneau Laurent Naouri Nicolas Cavallier Adrian Timpau Graham Clark Ekaterina Gubanova Clémentine Margaine Anna-Sophie Neher Anne-Sofie Von Otter Daniela Entcheva Orchestra and Choirs of the National Opera of Paris Maîtrise des Hauts-de-Seine / Children's choir of the Opéra national de Paris

[INTERVIEW] WAJDI MOUAWAD about ŒDIPE BY Georges Enesco

Oedipe by Enescu, Van (2021/2021), Geregisseerd door Wajdi Mouawad,, Dirigent Ingo Metzmacher, Opéra Bastille, Parijs, Frankrijk

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