Name: Orchestra Cherubini - Riccardo Muti
Start: 2022-07-21T00:00:00.000Z
End: 2022-07-21T00:00:00.000Z
Location: Palazzo Mauro De André

Organization

Ravenna Festival

Conductor

Riccardo Muti

Orchestra

Orchestra Giovanile Luigi Cherubini

Orchestra Cherubini - Riccardo Muti

Ravenna

Italy

Palazzo Mauro De André

Orchestra Cherubini - Riccardo Muti: Concert Various

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Singer

Tenor

Soprano

Bass

Baritone

Contralto

Countertenor

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

«In my head I have a symphony, which I’d like to call Rome[…]. It’s an excellent plan: Venice will be my Andante, Rome my first movement, Florence my Scherzo, and Naples my Finale. It is a new idea, I believe». In 1860, on his way back from a three-year stay at the Villa Medici, Bizet was inebriated by the Italian art and landscapes, and this beauty ideally underpins his unusual score. Liszt, too, had experimented a similar narrative impetus in his symphonic poems, the most famous of which, Les préludes, he “justified” by ascribing its continuous thematic metamorphosis to Lamartine’s Méditations. The same momentum also permeates the evocative “fairy tale scene” written in 1908 by Russian composer Lyadov, a pupil of Rimsky-Korsakov and, in his turn, the teacher of Prokofiev. Three musical frescoes which Muti outlines in all their nuances and depth, in a tireless search for perfection.

English

«Ho in mente una sinfonia che vorrei intitolare Roma […]. È studiata alla perfezione: Venezia sarà l’Andante, Roma il primo movimento, Firenze lo Scherzo e Napoli il Finale. È un’idea nuova, direi». Nel 1860 di ritorno da un triennio a Villa Medici, Bizet è ancora inebriato dell’arte e dei paesaggi italiani, di quella bellezza che idealmente innerva la sua singolare partitura. Con lo stesso slancio narrativo che Liszt già aveva sperimentato nei suoi poemi sinfonici – nel più celebre,Les préludes, “giustifica” la continua metamorfosi tematica con le “meditazioni” di Lamartine. E che permeerà anche l’evocativa “scena da favola” che il russo Ljadov – allievo di Rimskij-Korsakov e a sua volta maestro di Prokof’ev – compone nel 1908. Affreschi musicali di cui Muti delinea ogni sfumatura e spessore, nell’instancabile ricerca della perfezione.

italiano

Orchestra Cherubini - Riccardo Muti by Various, ket 21 lie 2022, Nuo (2022/2022), Dirigentas Riccardo Muti, Palazzo Mauro De André, Ravenna, Italy

Veiklos kreditai (Atlikėjai ir kūrėjai )

Ansamblis

Programa, apie ir aprašymas

Nuotraukos

Toliau skaitant

Spektaklio datos ir vietos

Vietos