Name: ORF Radio-Symphonieorchester Wien Said Alsop
Start: 2024-01-29T00:00:00.000Z
End: 2024-01-29T00:00:00.000Z
Location: Wiener Konzerthaus

Organization

Conductor

Marin Alsop

Orchestra

ORF Vienna Radio Symphony Orchestra

Wiener Konzerthaus

Singer

Louise Alder

Voice

Soprano

ORF Radio-Symphonieorchester Wien / Said / Alsop

Vienna

Austria

Großer Saal

ORF Radio-Symphonieorchester Wien / Said / Alsop: Shéhérazade Ravel (+2 More)

Public

Concert

Sheherazade, M.41

Symphony 4

Prelude to the Afternoon of a Faun

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Bass

Countertenor

Tenor

Baritone

Mezzo-soprano

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

»Seit der Flöte des ›Faun‹ […] atmet die Musik anders«, schrieb Pierre Boulez über Claude Debussys »Prélude à l’après-midi d’un faune« und nahm auf dessen Bedeutung für die Neue Musik Bezug. Im von Stéphane Mallarmés Gedicht inspirierten Orchesterwerk treten exotische Ganztonleitern, archaische Pentatonik und modale Wendungen gleichberechtigt nebeneinander. Debussy hob damit den traditionellen Gegensatz von Konsonanz und Dissonanz auf. Rund zehn Jahre später widmete sich Maurice Ravel in »Shéhérazade« der märchenhaften Welt von »Tausendundeiner Nacht«. Mit diesen drei Orchesterliedern konnte er seinen ersten großen Erfolg feiern. Beim Konzert des RSO Wien unter Chefdirigentin Marin Alsop fungiert Louise Alder als Solistin. Die Sopranistin ist zudem im vierten Satz von Gustav Mahlers vierter Symphonie zu erleben. Das 1901 vollendete Werk zählt zu den »Wunderhorn-Symphonien« und zeigt einmal mehr, wie untrennbar die Gattungen Lied und Symphonie bei Mahler miteinander verbunden sind.

Deutsch

»Since the flute of the ›Faun‹ [...] music breathes differently«, wrote Pierre Boulez about Claude Debussy's »Prélude à l'après-midi d'un faune«, referring to its significance for contemporary music. In the orchestral work inspired by Stéphane Mallarmé's poem, exotic whole-tone scales, archaic pentatonicism and modal turns of phrase appear side by side on an equal footing. Debussy thus abolished the traditional contrast between consonance and dissonance. Around ten years later, Maurice Ravel dedicated himself to the fairytale world of »One Thousand and One Nights" in "Shéhérazade«. He celebrated his first major success with these three orchestral songs. Louise Alder will be the soloist at the RSO Vienna concert under chief conductor Marin Alsop. The soprano can also be heard in the fourth movement of Gustav Mahler's Fourth Symphony. The work, completed in 1901, is one of the »Wunderhorn symphonies« and shows once again how inseparable the genres of song and symphony are in Mahler's work.

English

ORF Radio-Symphonieorchester Wien / Said / Alsop by Ravel, Mahler, Debussy, ma. 29 jan. 2024, Fra (2024/2024), Dirigent Marin Alsop, Wiener Konzerthaus, Vienna, Austria

Forestillingkreditter (Ensemble & produksjonsteam )

Cast

Ensemble

Medprodusent

Program, Informasjon & Sammendrag

Bilder

Videre lesning

Forestillingsdatoer og spillesteder

Sted