Organization

Stage director

Carlus Padrissa

Assistant to the Stage Director and Stage Manager

Zamira Pasceri

Stage director assistant

Mireia Romero Miralles

Set designer

La Fura dels Baus

Technical Director

Jaume Grau

Video designer

David Cid

Video Art Direction

Sagar Forniés

Interactive Graphics

Roman Torres

Lighting designer

Carles Rigual

Costume designer

Aitziber Sanz

Wardrobe Assistant

Clara Sullà

Singer

Countertenor

Anita Rachvelishvili

Orfeo

Soprano

Maite Alberola

Euridice

Auxiliadora Toledano

Amor

Chorus master

Jordi Casas Bayer

Orchestra Director

Gordan Nicolic

Orfeo ed Euridice -  (Orpheus and Eurydice)

Barcelona

Spain

Public

Orpheus and Eurydice

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Conductor

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Tenor

Baritone

Bass-baritone

Contralto

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

Orfeo ed Euridice Gluck

250 years after Gluck reformed and laid the foundations for classical opera, perhaps the time has come to take a new step forward: Let the orchestra play, move and act on stage. That the lyre of Orpheus be, in our eyes, a giant lyre made up of 40 musicians and as if each one were one of its strings, vibrating in each note and musical chord, until one by one the gates of hell open and rescue Eurydice

English

250 años después de que Gluck reformara y sentara las bases de la ópera clásica, quizás haya llegado el momento para dar un nuevo paso hacia delante: Que la orquesta toque, se mueva y actúe sobre escenario. Que la lira de Orfeo sea, en nuestra mirada,  una lira gigante formada por 40 músicos y como si cada uno fuera una de sus cuerdas, vibrando en cada nota y acorde musical, hasta abrir una a una las puertas del infierno y rescatar a Eurídice.

español

Orpheus and Eurydice by Gluck, pen 22 lie 2011, Nuo (2011/2011), Režisierius Carlus Padrissa,

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