Name: Orlando
Start: 2016-02-24T00:00:00.000Z
End: 2016-02-24T00:00:00.000Z
Location: Theater an der Wien

Admin

Organization

Mezzo-soprano

Iestyn Davies

Orlando

Soprano

Erin Morley

Angelica

Rupert Enticknap

Medoro

Carolyn Sampson

Dorinda

Bass

Shen Yang

Zoroastro

Conductor

Harry Bicket

MusikTheater an der Wien

Orchestra

The English Concert

itāļu

Vienna

Austria

Theater an der Wien

Orlando Händel

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Contralto

Singer

Countertenor

Baritone

Bass-baritone

Tenor

Spoken

Child vocalist

Silent

Alto

Continuo

In his opera Orlando , written for London's King's Theater on Haymarket , George Frideric Handel referred to the story of the lovable knight from Ludovico Ariosto's epic Orlando furioso (1532). Battle-hardened Orlando goes into a frenzy when his beloved Angelica prefers the warrior Medoro. The magician Zoroastro succeeds in freeing Orlando from his madness of love by pretending to be different illusions and leading him back on the path of reason. Handel did everything he could for this unusual libretto; Orlando is not for nothingas one of his most imaginative scores. The Handel specialist Reinhard Strohm judged the title role, composed for the cast star Francesco Bernardi alias Senesino, to be “the only one who touches all affects, key areas and vocal styles; he has heroic, virtuoso, desperate and even meditative arias to sing ”. Of course there is also a great mad scene that ties in with the English tradition of “mad songs”. Senesino ended his collaboration with Handel with this role: the vain singer had fallen out with the choleric composer so much that just a few weeks after the end of the performance series he defected to the rival company, the so-called Opera of the Nobility.

English

Orlando by Händel, T 24 feb 2016, No (2016/2016), Diriģents Harry Bicket, Theater an der Wien, Vienna, Austria

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