Name: Orphée aux enfers
Start: 2022-11-04
End: 2022-11-04
Location: Estonian National Opera

Organization

Regie

Liis Kolle

Kostümbild

Reili Evart

Dirigat

Jaan Ots

Kaspar Mänd

Korrepetition

Arvo Volmer

Sänger

Tenor

Heldur Harry Põlda

Orpheus

Oliver Kuusik

Reigo Tamm

Aristaeus / Pluto

Mati Turi

Mezzosopran

Janne Ševtšenko

Amor

Carol Männamets

Sopran

Heli Veskus

Diana

Kadri Kõrvek

Mart Madiste

Hans Styx

Mehis Tiits

Bass

Mart Laur

Mars

Tambet Kikas

Kristel Pärtna

Euridike

Elina Nechayeva

Juuli Lill

Die Öffentliche Meinung

Annaliisa Pillak

Helen Lokuta

Venus

Karis Trass

Bariton

Tamar Nugis

Jupiter

Rauno Elp

Maria Leppoja

Minerva

Merit Kraav

Aule Urb

Juno

Triin Ella

René Soom

Merkur

Aare Kodasma

Bühnenbild

Jaagup Roomet

Lichtgestaltung

Rene Liivamägi

Choreographie

Dmitri Harchenko

Tiit Kaljund

Bacchus

Priit Kruusement

Estonian National Opera

Estnisch

Orphée aux enfers -  (Orpheus in der Unterwelt)

Tallinn

Estland

Orphée aux enfers Offenbach

Public

Orpheus in der Unterwelt

Englisch

Genehmigt

Offenbach’s rhythmic and imaginative music, with songs that could nowadays beat every Eurovision hit, the wittiness and excellent punch lines of the libretto written by Hector Crémieux and Ludovic Halévy, and the chance of giving an enjoyable spectacle to the audience are the reasons why the operetta “Orpheus in the Underworld” should be staged again and again.

Who is this Orpheus, and why should I care what he did or did not do in the underworld, or how he ended up there in the first place? Then again, the underworld is a fascinating and unusual place, and none of the spectators have ever been there. Why not show a musical and playful version of this sinful place to the audience, whereas they do not need to be afraid of being thrown into a boiling cauldron.

The story itself is simple and only a little bit supernatural: the mythical Orpheus who charmed everyone with his singing and lyre-playing, has become a violin professor who – oh no! – loses his wife Eurydice by accident and goes to the gods to demand her back. Only that in Offenbach’s opera, he does not go voluntarily, as he actually wants to get rid of the woman; also, she has been having an affair with a neighbour, who later turns out to be Pluton, the ruler of the underworld, so Eurydice is happy to die so that she could be with him. Orpheus is forced to embark on the heroic journey to the underworld by a character called the Public Opinion who ensures that both the myth and moral rules are being followed. Before descending to the underworld, they seek for Eurydice at Jupiter’s, which is when the king of the gods finds out about his younger brother’s conquests and starts to desire the woman himself. Eurydice has nothing against the higher-ranking deity either. However, in the end, both of them lose out and the woman ends up with Bacchus, the god of wine, which she does not seem to mind either. Nobody else seems to be bothered about it, since it is time for the timelessly cheerful cancan that everybody dances to, including the Public Opinion.

English

Orpheus in der Unterwelt by Offenbach, Fr. 04 Nov. 2022, Ab (2022/2022), Unter der Regie von Liis Kolle,, Dirigat Jaan Ots, Kaspar Mänd, Estonian National Opera, Tallinn, Estland

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