Name: Orphée aux enfers
Start: 2017-01-15T00:00:00.000Z
End: 2017-01-20T00:00:00.000Z
Location: Théâtre du Passage

Organization

Direzione d'orchestra

Yves Senn

Regia

Alexandre De Marco

Coline Fassbind

Scenografia

Xavier Hool

Luci

Faustine de Montmollin

Costumi

Caroline Zanotti

Musical Assistant

Léonard Schneider

Cantante

Soprano

Leana Durney

Euridice

Tenore

Fernando Cuellar

Orfeo

Baritono

Davide Autieri

Giove

Alain Rochat

Aristeo/Plutone

Mezzosoprano

Alice Grandjean

Cupido

John Styx

Noémie Stauffer

L'Opinione Pubblica

Diana Chavarro

Diana

Patricia Berto

Venere

Alix Pellaton

Minerva

Maïté Renaud

Giunone

Charles Brunner

Mercurio

Vincent Steiner

Morfeo

L'Avant-Scène Opéra

Théâtre du Passage

Others

chœur et orchestre

Orphée aux enfers -  (Orfeo all'Inferno)

Neuchatel

Svizzera

Orphée aux enfers Offenbach

Public

Orfeo all'Inferno

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Maestro ripassatore

Orchestra

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Basso

Controtenore

Contralto

Basso-baritono

Alto

Mimi

Narrazione

Voce bianca

Dessert anecdote Created in 1858, Orphée aux Enfers was the source of a scandal. Its libretto based on a satire of mythology, it was condemned by many critics who saw in it a desecration of an essential heritage. Emile Zola himself, in the opening scene of his novel Nana, describes the premiere of an operetta entitled La Blonde Vénus – a fictional double of Orpheus in the Underworld – in highly derogatory terms: “This carnival of the gods, the Olympus dragged through the mud, an entire religion, an entire poetry flouted, seemed an exquisite treat. The fever of irreverence won over the educated world. We trampled on the legend, we broke the ancient images. For a long time, in the theater, the public had wallowed in stupidity more disrespectful. The work was nevertheless a huge public success, counting more than 1000 performances during Offenbach's lifetime.

English

Dessert anecdote
Créé en 1858, Orphée aux Enfers fut
à l’origine d’un scandale. Son livret
reposant sur une satire de la mythologie,
il fut condamné par de nombreux critiques
qui y voyaient une profanation d’un
héritage essentiel. Emile Zola lui-même,
dans la scène d’ouverture de son roman
Nana, décrit la première d’une opérette
intitulée La Blonde Vénus – double fictif
d’Orphée aux Enfers – en des termes
très dépréciatifs: «Ce carnaval des dieux,
l’Olympe traîné dans la boue, toute une
religion, toute une poésie bafouée,
semblèrent un régal exquis. La fièvre de
l’irrévérence gagnait le monde lettré. On
piétinait sur la légende, on cassait les
antiques images. Depuis longtemps, au
théâtre, le public ne s’était vautré dans
de la bêtise plus irrespectueuse. » L’œuvre
connut néanmoins un immense succès
public, comptabilisant plus de 1000
représentations du vivant d’Offenbach.

français

Orfeo all'Inferno by Offenbach, dom 15 gen 2017, Da (2017/2017), Diretto da Alexandre De Marco, Coline Fassbind,, Direttore d'orchestra Yves Senn, Théâtre du Passage, Neuchatel, Svizzera

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