Organization

Direzione d'orchestra

Niksa Bareza

Hari Zlodre

Regia

Ozren Prohić

Costumi

Irena Sušac

Scenografia

Dubravka Lošić

Coreografia

Jasna Frankić Brkljačić

Direzione del coro

Ana Šabašov

Luci

Zoran Mihanović

Cantante

Baritono

Bojan Šober

Giove

Soprano

Adela Golac Rilović

Euridice

Tenore

Sveto Matošić Komnenović

Aristeo/Plutone

Ante Ivić

Orfeo

Vinko Maroević

Mercurio

Snjezana Katic

Diana

Mezzosoprano

Renata Pokupić

Cupido

Marija Bubic

Minerva

HNK Split

Others

HNK Split Choir

Orchestra

HNK Split Orchestra

Orphée aux enfers -  (Orfeo all'Inferno)

Spalato

Croazia

Orphée aux enfers Offenbach

Public

Orfeo all'Inferno

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chorus Director

Composizione

Coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Controtenore

Basso-baritono

Basso

Alto

Continuo

Mimi

Narrazione

Voce bianca

Offenbach was an astonishingly fast and prolific composer. He easily found catchy melodies that he would introduce with the skill of a genius into the rhythms of the popular dances of the time and the frames of the city's, Parisian musical folklore. Offenbach's stage parodies or operetta satires dissect all layers of society with surgical precision, not even avoiding its top.

The best example of his active creative relationship with the environment is Orpheus in the Underground, one of the master's most famous operettas in which the object of satire is the highest level of government. In fact, Orpheus illuminated the background against which the scenes of dictatorship unfolded. It is easy to see contemporary analogies with Jupiter, the father of the gods who lurks on every pretty face, with Juno,

his wife, who is consumed by jealousy, with the double click of the gods who follow the example of their master...

English

Offenbach je bio zapanjujuće brz i plodan skladatelj. Lako je pronalazio dopadljive melodije koje bi vještinom genija unosio u ritmove ondašnjih popularnih plesova i okvire gradskoga, pariškoga glazbenog folklora. Offenbachove scenske parodije ili operetne satire kirurškom preciznošću seciraju sve slojeve društva, ne izbjegavajući ni njegov vrh.
Najbolji primjer njegova aktivnog stvaralačkog odnosa prema sredini je Orfej u podzemlju, jedna od najglasovitijih majstorovih opereta u kojoj je objekt satire najviši vrh vlasti. Zapravo, Orfej je osvijetlio pozadinu pred kojom su se odvijali prizori diktature. Lako je uočiti suvremene analogije s Jupiterom, ocem bogova koji vreba na svako ljepuškasto lice, s Junonom,

njegovom suprugom, koju proždire ljubomora, s dvostrukom klikom bogova koji slijede primjer svojega gospodara...

hrvatski

Orfeo all'Inferno by Offenbach, dom 05 dic 1999, Da (1999/1999), Diretto da Ozren Prohić,, Direttore d'orchestra Niksa Bareza, Hari Zlodre, HNK, Spalato, Croazia

Crediti di rappresentazione (Cast e team di produzione )

Cast

Team creativo

Ensemble

Programma, informazioni e sinossi

Foto

Ulteriori letture

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