Organization

Conductor

Niksa Bareza

Hari Zlodre

Stage director

Ozren Prohić

Costume designer

Irena Sušac

Set designer

Dubravka Lošić

Choreographer

Jasna Frankić Brkljačić

Chorus master

Ana Šabašov

Lighting designer

Zoran Mihanović

Singer

Baritone

Bojan Šober

Jupiter

Soprano

Adela Golac Rilović

Eurydice

Tenor

Sveto Matošić Komnenović

Aristaeus / Pluto

Ante Ivić

Orpheus

Vinko Maroević

Mercury

Snjezana Katic

Diana

Mezzo-soprano

Renata Pokupić

Cupid

Marija Bubic

Minerva

HNK Split

Others

HNK Split Choir

Orchestra

HNK Split Orchestra

Orphée aux enfers -  (Orpheus in the Underworld)

Split

Croatia

Orphée aux enfers Offenbach

Public

Orpheus in the Underworld

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Contralto

Bass-baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Offenbach was an astonishingly fast and prolific composer. He easily found catchy melodies that he would introduce with the skill of a genius into the rhythms of the popular dances of the time and the frames of the city's, Parisian musical folklore. Offenbach's stage parodies or operetta satires dissect all layers of society with surgical precision, not even avoiding its top.

The best example of his active creative relationship with the environment is Orpheus in the Underground, one of the master's most famous operettas in which the object of satire is the highest level of government. In fact, Orpheus illuminated the background against which the scenes of dictatorship unfolded. It is easy to see contemporary analogies with Jupiter, the father of the gods who lurks on every pretty face, with Juno,

his wife, who is consumed by jealousy, with the double click of the gods who follow the example of their master...

English

Offenbach je bio zapanjujuće brz i plodan skladatelj. Lako je pronalazio dopadljive melodije koje bi vještinom genija unosio u ritmove ondašnjih popularnih plesova i okvire gradskoga, pariškoga glazbenog folklora. Offenbachove scenske parodije ili operetne satire kirurškom preciznošću seciraju sve slojeve društva, ne izbjegavajući ni njegov vrh.
Najbolji primjer njegova aktivnog stvaralačkog odnosa prema sredini je Orfej u podzemlju, jedna od najglasovitijih majstorovih opereta u kojoj je objekt satire najviši vrh vlasti. Zapravo, Orfej je osvijetlio pozadinu pred kojom su se odvijali prizori diktature. Lako je uočiti suvremene analogije s Jupiterom, ocem bogova koji vreba na svako ljepuškasto lice, s Junonom,

njegovom suprugom, koju proždire ljubomora, s dvostrukom klikom bogova koji slijede primjer svojega gospodara...

hrvatski

Orpheus in the Underworld by Offenbach, sek 05 grd 1999, Nuo (1999/1999), Režisierius Ozren Prohić,, Dirigentas Niksa Bareza, Hari Zlodre, HNK, Split, Croatia

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