Name: Our honorary conductor Christoph Eschenbach
Start: 2024-03-13T00:00:00.000Z
End: 2024-03-23T00:00:00.000Z
Location: Konzerthalle

Organization

Conductor

Christoph Eschenbach

Singer

Soprano

Hanna-Elisabeth Müller

Sopran

Orchestra

Bamberg Symphony Orchestra

Our honorary conductor Christoph Eschenbach

Aix-en-Provence

France

Grand Théâtre de Provence

Bamberg

Germany

Konzerthalle

Our honorary conductor Christoph Eschenbach: Vier letzte Lieder Strauss,R (+1 More)

Public

Four Last Songs

Symphony No. 2 in C minor

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Tenor

Contralto

Bass-baritone

Bass

Countertenor

Mezzo-soprano

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

»And the soul, unguarded, wants to soar in free flights, to live within the magic circle of the night deeply and a thousandfold.« These dream-lorn lines by Hermann Hesse inspired Richard Strauss to write one of his moving »Four Last Songs«. These depict a life cycle and bear witness to his confrontation with his own death. At 83, the aged composer looked back on his triumphant life »weary of wandering«. When a journalist asked him about his next projects, Strauss answered with a wink: »Well, just die!« But his son persuaded him to compose another »major work«, saying, »Dad, stop brooding, write some beautiful songs instead.« And Strauss succeeded in a beguiling way, for the highly romantic settings hover in an inimitable atmosphere of weightlessness. With us, the voice of Hanna-Elisabeth Müller soars to these soulful songs. Christoph Eschenbach then leads us through a work by Bruckner that was first performed in 1873 and was composed as a direct expression of a deep life crisis due to the so-called »St. Anna affair«: as he was hardly noticed as a composer in Vienna at that time, he gave piano lessons at the St. Anna educational institution – and once confidentially called one of his pupils »my darling«. Even though Bruckner felt wrongly suspected, the newspapers made a scandal out of this event. He was soon rehabilitated, but wrote his second symphony in this humiliated state of mind – which therefore has a restless, pessimistic underlying mood: it fluctuates between heartfelt prayers, desperate outbursts, clueless silences and wild dance scenes.

English

Our honorary conductor Christoph Eschenbach by Strauss, Bruckner, ke 13 maalis 2024, Alkaen (2024/2024), Musiikinjohto Christoph Eschenbach, Konzerthalle, Bamberg, Germany

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