Name: Pikovaya Dama
Start: 2016-08-07T00:00:00.000Z
End: 2016-12-16T00:00:00.000Z
Location: Palco

Organization

Direzione d'orchestra

Pavel Smelkov

Regia

Yuri Temirkanov

Scenografia

Igor Ivanov

Coreografia

Oleg Vinogradov

Direzione del coro

Larisa Shveikovskaya

Anna Pipia

Pianoforte

Marina Repina

Luci

Alexander Naumov

Assistant Stage Director

Anna Shishkina

Cantante

Tenore

Mikhaïl Vekua

Herman

Soprano

Irina Churilova

Liza

Contralto

Yulia Matochkina

Polina

Mezzosoprano

Larissa Diadkova

La Contessa

Natalya Zakharchenko

La governante

Alina Mikhailik

Prilepa

Baritono

Dmitry Nelasov

Il Conte Tomskij

Alexei Kostyuk

Čekalinskij

Basso

Yevgeny Plekhanov

Surin

Sergei Pleshivtsev

Narumov

Ilya Astafurov

Čaplitskij

Vsevolod Marilov

Il maestro di cerimonie

Elena Tretyakova

Maša

Maxim Aksenov

Vyacheslav Vasilyev

Elena Stikhina

Laura Bustamante

Aleksandr Diyanov

Alexander Gergalov

Il Principe Eletskij

Alena Diyanova

Primorsky Stage of the Mariinsky Theatre

russo

Pikovaya Dama -  (La dama di picche)

Vladivostok

Russia

Pikovaya Dama

Public

La dama di picche

inglese

Approvato

Palco

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coro

Costumi

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Maestro ripassatore

Orchestra

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Basso-baritono

Controtenore

Alto

Continuo

Mimi

Narrazione

Voce bianca

In the spring of 1890 The Queen of Spades, a mystic short story by Alexander Pushkin, inspired Pyotr Tchaikovsky to compose an opera in which Pushkin’s subject would be treated very originally. The story of a consuming passion for gambling was transformed into a dramatic opera about an unearthly love. Pushkin’s heroine named Liza, an old countess’s impoverished young ward, turned into the countess’ grand-daughter engaged to Prince Yeletsky, and German’s behavior was based on his love for the young woman whose social and wealth statuses precluded him from marrying her. Those were circumstances which allowed Tchaikovsky to compose the operatic music astounding the public with its depth and insight.

When Yuri Temirkanov as a director and conductor was going to stage The Queen of Spades at the Kirov Theatre (presently the Mariinsky Theatre) in 1984, Igor Ivanov as a designer was allotted a task to recreate an old Saint Petersburg atmosphere in details. “It should be luxurious because Tchaikovsky is a great dramatist. He sought to show that German, that no one in a shabby surtout, who got into society and finally went mad because he longed to live the high life,” said Temirkanov.

The features of Saint Petersburg in the Catherine Age were thoroughly reconstructed in Temirkanov’s staging, whether they were statues in the Summer Garden where German first met the countess or a costume ball in a grandee’s house or the Winter Canal in which Liza drowned herself out of despair. All costumes and furnishings in a gambling house, quarters or rooms were in accordance with their prototypes in the past. Even military uniforms were designed in keeping with those of certain regiments which once existed in reality.

The staging turned out a great success. The Queen of Spades staged by Yuri Temirkanov became a classic example of opera direction and was accorded international recognition and long happy life on the stage.

The opera staging was shifted from Saint Petersburg to Vladivostok in December 2015. At the premiere the opera was performed by the Mariinsky Theatre lead soloist under the direction of Valery Gergiev. Since then the Far East audience has heard Liza’s and German’s arias sung by legendary singers such as Larisa Diadkova and Vladimir Galuzin and seen young stars such as Elena Stikhina, Yulia Matochkina, Alexei Markov, and Roman Burdenko. Nowadays The Queen of Spades continues to host guest singers and open up opportunities for local soloists under the guidance of Pavel Smelkov, a Music Director and Principal Conductor of the Primorsky Stage of the Mariinsky Theatre.

Natalia Rogudeeva

English

La dama di picche by Tchaikovsky, P. I., gio 01 set 2016, Da (2016/2016), Diretto da Yuri Temirkanov,, Direttore d'orchestra Pavel Smelkov, Palco, Vladivostok, Russia

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