Name: Pikovaya Dama
Start: 2024-02-08T00:00:00.000Z
End: 2024-02-08T00:00:00.000Z
Location: Magnitogorsk Opera and Ballet Theater

Organization

Admin

Opera State Theater Magnitogorsk - Russia

Conductor

Eduard Nam

Stage director

Philipp Razenkov

Set designer

Elisey Shepelev

Costume designer

Chorus master

Tatyana Pozhidaeva

Lighting designer

Natalya Glukhikh

Tenor

Pavel Chikanovsky

Herman

Vadim Starodubtsev

Baritone

Sergei Murtazin

Count Tomsky

Igor Cherny

Nikita Fedotov

Prince Yeletsky

Bass

Dmitry Grigoriev-Kan

Surin

Georgy Bunkov

Chekalinsky

Vitaly Loy

Danil Smirnov

Chaplitsky

Dmitry Korotkov

Narumov

Master of Ceremonies

Contralto

Galia Chavanina-Valeyeva

Polina

Aliya Galyamova

Soprano

Oksana Sycheva

Lisa

Elza Timerbaeva

Olga Mikishkova

Mezzo-soprano

Olga Guseva

Governess

Yulia Sokolova

Countess

Ekaterina Chebykina

Masha

Prilepa

Milovzor

Zlatogor

Pikovaya Dama -  (The Queen of Spades)

Magnitogorsk

Russia

Magnitogorsk Opera and Ballet Theater

Pikovaya Dama Tchaikovsky, P. I.

Public

The Queen of Spades

Samabedona Majumder

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Bass-baritone

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

“The Queen of Spades” was written for the Mariinsky Theater by order of the director of the imperial theaters Ivan Vsevolozhsky. He personally turned to Tchaikovsky, who by this time had already become a famous composer. The libretto was written by Modest Tchaikovsky. Forty-four days is exactly how long it took the composer to compose the opera, which today is considered nothing other than the pinnacle of his work.

The opera differs significantly from the work of A. Pushkin. Firstly, the time of action is the 18th century, as the customer wanted: Catherine’s century was magnificent and brilliant. Secondly, the psychological motivation of the characters has been changed. Herman is burning with passion for Lisa, and she is no longer a poor relative, but the granddaughter of an old countess, a rich heiress and a beauty. The composer worked on the work selflessly: “I wrote the opera “The Queen of Spades” with unprecedented fervor and passion, I vividly suffered and felt everything that happened in it (even to the point that at one time I was afraid of the appearance of the ghost of the “Queen of Spades”) and I hope that all my the author’s delight, excitement and passion will resonate in the hearts of responsive listeners.” The great creation of P. I. Tchaikovsky became a new word not only in the work of the composer himself, but also in the development of the entire Russian opera.

English

«Пиковая дама» была написана для Мариинского театра по заказу директора императорских театров Ивана Всеволожского. Он лично обратился к Чайковскому, который к этому времени стал уже известным композитором. Либретто написал Модест Чайковский. Сорок четыре дня – ровно столько понадобилось композитору, чтобы сочинить оперу, которую сегодня иначе как вершиной его творчества не называют.

Опера значительно отличается от сочинения А. Пушкина. Во-первых, время действия – XVIII век, так захотел заказчик: век Екатерины пышный и блестящий. Во-вторых, изменена психологическая мотивация героев. Герман пылает страстью к Лизе, а она – уже не бедная родственница, а внучка старухи-графини, богатая наследница и красавица. Композитор работал над произведением самозабвенно: «Оперу «Пиковая дама» я писал с небывалой горячностью и увлечением, живо перестрадал и перечувствовал всё происходящее в ней (даже до того, что одно время боялся появления призрака «Пиковой дамы») и надеюсь, что все мои авторские восторги, волнения и увлечения отзовутся в сердцах отзывчивых слушателей». Великое творение П. И. Чайковского стало новым словом не только в творчестве самого композитора, но и в развитии всей русской оперы.

русский

The Queen of Spades by Tchaikovsky, P. I., C 08 feb 2024, No (2024/2024), Režisēja Philipp Razenkov,, Diriģents Eduard Nam, Magnitogorsk Opera and Ballet Theater, Magnitogorsk, Russia

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