Name: Poesie celeste Akimenko – A. & G. Mahler
Start: 2024-02-01T00:00:00.000Z
End: 2024-02-02T00:00:00.000Z
Location: Salle Poirel

Organization

Opéra national de Lorraine

Direzione d'orchestra

Marta Gardolińska

Soprano

Hélène Carpentier

Orchestra

Orchestre de l'Opéra national de Lorraine

Poesie celeste  Akimenko – A. & G. Mahler

Nancy

Francia

Salle Poirel

Public

Ange [Angel] - Poème Nocturne for Orchestra

Quattro ultime canzoni

Sinfonia n. 4 in sol maggiore

Approvato

Basso

Instrumentalist

Pianoforte

Violinista

Cellist

Violista

Suonatore di flauto

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composizione

Regia

Libretto

Scenografia

Costumi

Coreografia

Luci

Ballerino/a

Recitazione

Direzione del coro

Video

Drammaturgia

Traduzione

Sound designer

Maestro accompagnatore

Trucco

Produzione esecutiva

Parrucco

Altro

Stage Manager

Coro

Poeta

Docente di canto

Insegnante

Fotografia

Emittente radiotelevisiva

Scrittura

Scrittura ed esecuzione

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Basso-baritono

Singer

Baritono

Tenore

Contralto

Controtenore

Mezzosoprano

Verbale

Voce bianca

Silenzioso

Alto

Continuo

Compositeur et pianiste ukrainien (il naît à Kharkiv), Théodore Akimenko appartient à cette génération post-romantique trop brutalement éclipsée par les figures plus radicales de la modernité. L’œuvre de celui qui fut l’élève de Rimski-Korsakov et le professeur de Stravinsky mérite pourtant amplement une redécouverte. S’y mêle dans une alchimie unique les réminiscences atténuées d’un colorisme russe qu’il léguera à son élève, une langueur nostalgique très mitteleuropa qui le rapproche d’un Zemlinsky et les magies orchestrales issues des impressionnistes français, sans laisser aucune sensation de mélange hétéroclite : c’est, comme en témoigne ce poème nocturne Ange de 1924, qu’une vraie personnalité musicale est à l’œuvre. 

En apparence la plus avenante et accessible du compositeur, la Quatrième symphonie de Gustav Mahler n’en reste pas moins insaisissable par bien des aspects. Tantôt faussement naïve et sincèrement candide, tout à la fois grinçante et innocente, pleine de sous-entendus et pourtant littérale, tournée vers le passé comme vers l’avenir — elle est achevée à la césure de deux siècles —, elle n’a de cesse de nous montrer son visage de Janus. Elle est présentée ici dans la toute nouvelle édition critique réalisée d’après les corrections apportées par Mahler lui-même lors de son dernier concert new-yorkais en février 1911. Lorsqu’il termine cette symphonie en 1901, Mahler est sur le point de rencontrer Alma Schindler, sa future femme. Lorsqu’il termine cette symphonie en 1901, Mahler est sur le point de rencontrer Alma Schindler, sa future femme. Cette même année, elle compose ses Fünf Gesänge, qui sont comme le reflet intime de leur amour naissant.

français

Ukrainian composer and pianist (he was born in Kharkiv), Theodore Akimenko belongs to this post-romantic generation too brutally eclipsed by the more radical figures of modernity. The work of the man who was a pupil of Rimsky-Korsakov and teacher of Stravinsky, however, amply deserves a rediscovery. Mixed in a unique alchemy are the attenuated reminiscences of a Russian colorism that he bequeathed to his pupil, a very Mitteleuropa nostalgic languor that brings him closer to a Zemlinsky and the orchestral magics from the French Impressionists, without leaving any feeling of heterogeneous mixture: it is, as evidenced by this nocturnal poem Ange from 1924, that a real musical personality is at work. 

Seemingly the composer's most pleasant and accessible, the Fourth Symphonyby Gustav Mahler remains nonetheless elusive in many ways. Sometimes deceptively naive and sincerely candid, at the same time grating and innocent, full of innuendo and yet literal, turned towards the past as well as the future — it is completed at the break of two centuries — it has no stops showing us his Janus face. It is presented here in the brand new critical edition based on the corrections made by Mahler himself during his last concert in New York in February 1911. When he finished this symphony in 1901, Mahler was about to meet Alma Schindler, his future wife. When he finished this symphony in 1901, Mahler was about to meet Alma Schindler, his future wife. That same year, she composed her Fünf Gesänge, which are like the intimate reflection of their budding love.

English

Poesie celeste Akimenko – A. & G. Mahler by Akimenko, Strauss, Mahler, ven 02 feb 2024, Da (2024/2024), Direttore d'orchestra Marta Gardolińska, Salle Poirel, Nancy, Francia

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Programma, informazioni e sinossi

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