Name: La Traviata
Start: 2024-09-08T00:00:00.000Z
End: 2025-03-02T00:00:00.000Z
Location: Opernhaus

Admin

Oper Leipzig

Orchestra

Gewandhausorchester

Conductor

Christoph Gedschold

Yura Yang

Stage director

Andreas Homoki

Set designer

Frank Philipp Schlößmann

Costume designer

Gabriele Jaenecke

Lighting designer

Michael Röger

Others

Chor der Oper Leipzig

Singer

Soprano

Sarah Traubel

Violetta Valery

Olga Jelínková

Gabrielė Kupšytė

Flora Bervoix

Nora Steuerwald

Mezzo-soprano

Julia Pastor

Annina

Samantha Gaul

Tenor

Matthias Stier

Alfred Germont

Ovidiu Purcel

Baritone

Mathias Hausmann

George Germont

Franz Xaver Schlecht

Jonathan Michie

The Baron Douphol

Bass

Peter Dolinsek

The Marquis of Obigny

Marian Müller

Flora's Servant

Vincent Turregano

Klaus Bernewitz

Ein Dienstmann(A Servant)

Sejong Chang

The doctor Grenvil

italijanščina

La Traviata -  (La traviata)

Leipzig

Germany

Opernhaus

La Traviata Verdi

Public

La traviata

Sharan Allad

nemščina

Approved

»La Traviata« bildet den Abschluss jener meisterhaften Operntrias, die Verdi in den Jahren 1850-52 schrieb.Infos & Tickets: www.oper-leipzig.de

TRAILER "LA TRAVIATA" / OPER LEIPZIG

Melodramma in three acts | Libretto by Francesco Maria Piave after the novel La dame aux Camélias by Alexandre Dumas | In Italian with German supertitles | Playing time ca. 2 1/4 hours | One intermission
La Traviata is the final work in the Trilogia Popolare, Verdi’s trio of masterpieces written between 1850-52. Once again, he was inspired by an outsider: after the jester in Rigoletto and the gypsy Azucena in Il Trovatore, the courtesan Violetta Valéry -- a woman whose charm surpasses her predecessors -- takes center stage here. The Parisian demimonde is the setting for the story of the unconditional and hopeless love between Alfredo Germont and the terminally ill Violetta. From the very beginning, their love is threatened not only by death, but also by the norms of the society and the honor of a family.
But the story’s grand themes of love, death, and morality only come into their own through Verdi’s music. He didn’t so much compose moments -- the morbid allure of the saintly whore, the passion of the young society lover, the unsavory milieu of the demimonde, and the moral standards of the father -- as much as the interplay between these moments. And so it is that Verdi’s most popular opera is about so much more than the tortured journey of an outsider: Here, psychologically-unstable inner worlds and societal norms confront one another in the most dramatic of ways.

Recommended for children and teenagers from 15 years

English

Liebe, Eifersucht und Tod. Was braucht es mehr zu einem gelungenen Opernabend? Nicht viel, sagen Andreas Homoki und sein Bühnenbildner Frank Philipp Schlößmann. Ihre Inszenierung von Giuseppe Verdis Kultoper ist auf das Wesentliche reduziert, sodass in den Vordergrund tritt, was wirklich zählt: große Gefühle und große Musik.

Empfohlen für Kinder und Jugendliche ab 15 Jahren

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