Name: Quartetto Del Teatro Alla Scala
Start: 2018-06-10T00:00:00.000Z
End: 2018-06-10T00:00:00.000Z
Location: Chiostro Della Biblioteca Classense

Admin

Ravenna Festival

Instrumentalist

Francesco Manara

Violin I

Daniele Pascoletti

Violin II

Simonide Braconi

Viola

Massimo Polidori

Violincello

Quartetto Del Teatro Alla Scala

Genoa

Italy

Chiostro Della Biblioteca Classense

Quartetto Del Teatro Alla Scala: Fratres Pärt (+2 More)

Public

Fratres

Adagio For Strings, Op. 11

String Quartet No. 12, op. 96

Larissa Andrea Pereira

Approved

Bass

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Contralto

Singer

Baritone

Tenor

Soprano

Countertenor

Bass-baritone

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Continuo

Talvolta musiche nate in contesti e in tempi lontani e diversi sembrano essere legate tra loro da un filo invisibile: allora, la staticità evocativa e ipnotica della pagina dell’estone Arvo Pärt (che nel 1977 ancora non aveva scelto la via dell’esilio), capace di fermare il tempo e di condensarlo attorno all’austera semplicità di un infinito bordone, rimanda con insospettata affinità alla spiritualità dolente che attraversa quella di Samuel Barber, tutta l’op. 11 e non solo il celeberrimo Adagio, il brano “più triste della storia”, la cui versione per orchestra debuttò sotto la bacchetta di Toscanini nel 1938 a New York. E oltreoceano, quasi mezzo secolo prima, vede la luce anche l’“Americano” di Dvořák: ma qui la malinconia cantilenante del tempo lento trova ristoro nei richiami folklorici, statunitensi e boemi insieme.

italiano

Sometimes it happens that works composed in different contexts and times look as if an invisible thread connects them. And so it is with Arvo Pärt, who, in 1977, had not yet chosen exile: his evocative, mesmerising stillness, which stops the flowing of time and condenses it around the austere simplicity of an endless drone, reveals an unexpected affinity with the sorrowful spirituality of the whole of Samuel Barber’s op. 11, not just the famous Adagio, the “saddest song ever written”, arranged for a string orchestra and premièred by Toscanini (New York, 1938). Almost fifty years earlier, Dvořák’s “American” had seen the light in the US, but in that case the singsong melancholy of a slow tempo was revived by a mix of folk influences, both American and Bohemian.

English

Quartetto Del Teatro Alla Scala by Pärt, Barber, Dvořák, Od (2018/2018), Chiostro Della Biblioteca Classense, Genoa, Italy

Krediti za predstavo (Zasedba in producentska ekipa )

Instrumentacija

Program, O in Sinopsis

Fotografije

Dodatno branje

Datumi in prizorišča nastopov

Lokacija