Name: Radamisto
Start: 2021-10-08T00:00:00.000Z
End: 2021-10-08T00:00:00.000Z
Location: Théâtre des Champs-Elysées

Organization

Bass

Renato Dolcini

Farasmane

Countertenor

Philippe Jaroussky

Radamisto

Mezzo-soprano

Marie-Nicole Lemieux

Zenobia

Bass-baritone

Zachary Wilder

Tiridate

Soprano

Emőke Baráth

Polissena

Alicia Amo

Fraarte

Anna Bonitatibus

Tigrane

Conductor

Fransesco Corti

Théâtre des Champs-Elysées

italų

Paris

France

Théâtre

Public

prancūzų

anglų

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Singer

Tenor

Contralto

Baritone

Spoken

Child vocalist

Silent

Alto

Continuo

The first opera composed for the Royal Academy of Music in London, Radamisto marked the starting point for Handel of a formidable adventure that would last fifteen years. The work also has the distinction of having had two premieres in 1720, in the spring with the soprano Margherita Durastanti in the title role, who was to become one of Handel's most loyal followers, and in December with the countertenor Senesino, which obliged Handel to completely rework the tessitura of several roles. As with many works of this Baroque period, Radamisto, a great success performed several times by Handel in the 1720s, was played as a sleeping beauty before its revival in the 20th century. The intensity of the dramatic situations and the quality of the score, both in its musical and vocal sections, now place it in the court of the great Handelian opuses.

English

Premier opéra composé pour la Royal Academy of Music de Londres, Radamisto marque le point de départ pour Haendel d’une formidable aventure qui durera quinze ans. L’ouvrage a aussi la particularité d’avoir connu deux premières dans la même année 1720. Dès le printemps avec en rôle-titre la soprano Margherita Durastanti, qui deviendra une fidèle du musicien, puis en décembre avec le contre-ténor Senesino, ce qui obligea Haendel à remanier complètement les tessitures de plusieurs rôles. Comme pour de nombreux ouvrages de cette période baroque, Radamisto, grand succès plusieurs fois remonté par Haendel dans les années 1720, joua le bel endormi avant sa renaissance au XXe siècle. L’intensité des situations dramatiques et la qualité de la partition tant dans sa partie musicale que vocale le placent désormais dans la cour des grands opus haendéliens.

français

Radamisto by Händel, pen 08 spa 2021, Nuo (2021/2021), Dirigentas Fransesco Corti, Théâtre des Champs-Elysées, Paris, France

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