Name: Rigoletto
Start: 2022-03-11T00:00:00.000Z
End: 2022-03-13T00:00:00.000Z
Location: Teatro Cervantes

Organization

Cantante

Tenore

Alexey Tatarintsev

Il Duca di Mantova

Baritono

Juan Jesús Rodríguez

Rigoletto

Soprano

Sabina Puértolas

Gilda

Basso

Felipe Bou

Sparafucile

Contralto

Sandra Ferrández

Maddalena

Mezzosoprano

María Lourdes Benítez

Giovanna

Fernando Latorre

Il Conte di Monterone

Jesús Gómez

Matteo Borsa

David Cervera

Il Conte di Ceprano

Regia

Francisco López

Direzione d'orchestra

José María Moreno

Direzione del coro

María del Mar Muñoz Varo

Olga Bikova

La Contessa di Ceprano

Juan Antonio Blanco

Un usciere di corte

María Luz Román

Un paggio

Libretto

Francesco Maria Piave

Pau Armengol

Marullo

Teatro Cervantes Malaga

Teatro Villamarta

Others

Coro De ópera De Málaga

Orchestra

Orquesta Filarmónica de Málaga

Málaga

Spagna

Teatro Cervantes

Rigoletto Verdi

Public

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Costumi

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Luci

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Controtenore

Basso-baritono

Alto

Continuo

Mimi

Narrazione

Voce bianca

With Rigoletto, Verdi initiated the trilogy later completed with La traviata and Il trovatore (1853) and which won him great popularity; works of the middle period of his composing career which would consolidate the mature musical style of the genius of Busseto.
This opera is fundamental in Verdi's work and in the history of opera for many reasons. In Rigotetto, the composer abandoned historical and patriotic subjects in favour of more ethical and existential ones; the usual heroes are not princes or warriors, but rather marginal characters who represent human beings in all their complexity. For the first time, singing is at the service of drama and not vice versa. There is a perfect construction on stage of a powerful story, one of contempt of the powerful towards the weak and of violence and domination of men over women, matters that were bravely presented to the public in 1851: realism and romanticism hand in hand in a score that boasts famous arias, including ‘La donna è mobile’, ‘Questa o quella’, ‘Parmi veder le lagrime’ (Duke of Mantua), ‘Caro nome’ (Gilda), ‘Pari Siamo’ (Rigoletto)–, duets –‘È il sol dell´anima’ (Duke and Gilda), ‘Lassú in cielo’ (Gilda and Rigoletto)– and the sublime quartet ‘Bella figlia dell’amore’ (Duke, Gilda, Rigoletto and Maddalena).
Because of its emotional strength, the vocal role of Rigoletto is one of most important of the lyrical repertoire for baritones. Although it allows singers to showcase their talent, it requires great interpretation skills given the complexity of the character’s emotional evolution.

English

Rigoletto by Verdi, dom 13 mar 2022, Da (2022/2022), Diretto da Francisco López,, Direttore d'orchestra José María Moreno, Teatro Cervantes, Málaga, Spagna

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