Name: Rigoletto
Start: 2022-03-18T00:00:00.000Z
End: 2022-03-20T00:00:00.000Z
Location: Patriots Theater

Organization

Cantante

Baritono

Robert Balonek

Rigoletto

Soprano

Susanne Burgess

Gilda

Tenore

Jeremy Brauner

Il Duca di Mantova

Basso

Jeremy Galyon

Sparafucile

Contralto

Devony Smith

Maddalena

Martin Hargrove

Il Conte di Monterone

Direzione d'orchestra

Joseph Pucciatti

Boheme Opera NJ

Others

The Boheme Opera NJ Chorus

Orchestra

The Boheme Opera NJ Orchestra

Trenton

Stati Uniti

Patriots Theater

Public

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Costumi

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Basso-baritono

Controtenore

Mezzosoprano

Alto

Continuo

Mimi

Narrazione

Voce bianca

Rigoletto Verdi

Part of production
Boheme Opera NJ production of Rigoletto. The Cortigiani scene
Rigoletto - Robert Balonek
Conductor - Joseph Pucciatti
with the Boheme Opera Orchestra and Chorus

The King Is Not Amused
Verdi’s operatic tour de force of passion and vengeance had better luck – and life – than its source material.

Rigoletto is based on a five-act play by Victor Hugo, of The Hunchback of Notre-Dame and Les Misérables fame, titled Le roi s’amuse (The King Amuses Himself). The king in question was the ill-regarded Francis I, who ruled France in the early 16th century. However, it was a later French king, Louise-Philippe I, whose censors shuttered and banned Hugo’s play after opening night in 1832 because they saw it as critical of the ruler – not to mention “scandalizing” society with its salacious content.

Just as his characters in Les Misérables took to the barricades, Hugo took his fight to court – and lost. Le roi s’amuse was banned in France for the next 50 years. 

Meanwhile, Rigoletto’s 1851 sparkling debut ensured its – and cemented Verdi’s – place in the operatic pantheon. And while its success owed much to the maestro’s artistic gifts, it might have owed even more to the backroom drama, political wrangling and ego stroking, and story massaging that went into ensuring that the opera could see the light of day and not suffer its dramaturgical predecessor’s fate.

An Unsettling Setting in a Troubled Time
Boheme Opera’s production of Rigoletto is firmly footed in 1930’s Europe, where fascism was on the rise and democracy was under attack. The era’s ascendant dictators – like Hitler and Mussolini – built their regimes on fear. But they couldn’t commit their atrocities without subjects willing to act on their behalf. Some followed because of that fear – to quote the 1999 movie The Mummy, “It is better to be the right hand of the devil than in his path.” Others hitched their wagons because they were as intrinsically evil as their leaders and saw opportunities for both financial and political gain – and to act unchained upon their most depraved instincts, biases, hatreds and lusts.

The Duke of Mantua, his court and all the attendant characters – including the Duke’s deformed jester, Rigoletto, and his ill-fated daughter, Gilda – are purposely placed in this setting to lay raw the emotions of fear, lust, hatred and more upon which the story of Rigoletto is based. The Duke rules by terror and cruelty. He is aided and abetted by those who both fear his wrath and see an opening to personally benefit from his actions – as well as a chance to indulge their own, and feed the Duke’s, sociopathic appetites. 

The main action of Rigoletto is set in motion by an angry father’s curse – but it comes to fruition thanks to some of the most accursed characters to ever take the operatic stage.

English

Rigoletto by Verdi, dom 20 mar 2022, Da (2022/2022), Direttore d'orchestra Joseph Pucciatti, Patriots Theater, Trenton, Stati Uniti

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