Organization

Dramaturge

Lada Čale Feldman

Conductor

Marko Hribernik

Stage director

Marin Blažević

Set designer

Alan Vukelić

Lighting designer

Costume designer

Sandra Dekanić

Choreographer

Mila Čuljak

Assistant Conductor

Stjepan Vuger

Assistant Director

Sofija Cingula

Chorus master

Nicoletta Olivieri

Ivan Gržanić

Singer

Soprano

Anamarija Knego

Juliet

Tenor

Bryan Lopez Gonzalez

Romeo

Bass

Slavko Sekulić

Friar Laurent

Baritone

Davor Nekjak

Mercutio

Mezzo-soprano

Emilia Rukavina

Stephano

Bass-baritone

Dario Bercich

Count Capulet

Marko Fortunato

Tybalt

Gertrude

Luka Ortar

Veronski

Dario Dugandžic

Paris

Jurica Jurasić Kapun

Gregory

Sergej Kiselev

Benvolio

Saša Matovina

Friar John

SNG Opera in balet Ljubljana

Orchestra

Croatian National Theatre Ivan Zajc Opera Orchestra

Roméo et Juliette -  (Romeo and Juliet)

Ljubljana

Slovenia

Public

Romeo and Juliet

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Chorus Director

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Roméo et Juliette Gounod

In an age when love appears as a sentimental object of irony and cynicism and at the same time as the trigger of an unstoppable machine of utopian literary and philosophical production (not to mention its trivialized media and market exploits), Romeo and Juliet continues to glow like a mythical and abruptly interrupted love that is willing to play its enthusiasm and suffering in unpredictable social, cultural, and political contexts.

More than the possible compulsion to surrender to the challenges of actualization, we were interested in what happens to the story in unsuspected theatrical and musical circumstances provided to the famous couple with a surprising sense of Shakespeare’s blends of tones and atmospheres by composer Gounod and his librettist. Beyond defying the centuries-old hatred that is tearing their quarrelsome families apart, this time the opera Romeo and Juliet is, in our opinion, looking for a "free space where they can take off their masks" (Mercutio, Act I), even if it is a space - and this time - only the space and time of Queen Mab's cobweb veil.

English

Romeo and Juliet by Gounod, ti 28 kesä 2022, Alkaen (2022/2022), Ohjannut Marin Blažević,, Musiikinjohto Marko Hribernik, SNG, Ljubljana, Slovenia

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