Name: Schubertiade
Start: 2023-05-29T00:00:00.000Z
End: 2023-05-29T00:00:00.000Z
Location: Haus für Mozart

Organization

Salzburger Festspiele

Others

Il Canto di Orfeo

Conductor

Gianluca Capuano

Pianist

Lucas Jussen

Piano

Arthur Jussen

Lang Lang

Singer

Cecilia Bartoli

voice

Mélissa Petit

Voice

Instrumentalist

Soloist

Soprano

Schubertiade

Salzburg

Austria

Whitsun Festival

Haus für Mozart

Public

Private

Concert

An die Sonne, D.439

Vier Canzonen, D 688

La pastorella al prato, D.528

Allegro in A minor D.947; op.144

Klage um Ali Bey, D.140

Chor der Engel, D.440

Vedi quanto adoro (Metastasio), D 510

Fantasie in F Minor, D. 940

Mirjam's Siegesgesang, D.942

Approved

Schubertiade: Concert Various

When Daniel Barenboim first picked up the conductor’s baton as a young teenager he had already established a reputation as a child prodigy at the piano. Wilhelm Furtwängler, for whom he auditioned in Salzburg in 1954, called the eleven-year-old a ‘phenomenon’. Alongside his appearances as soloist and conductor, the inspired and passionate communicator Barenboim has always been driven by the urge to participate in the most intimate form of musical cooperation — in the dialogue, reciprocal listening, the give-and-take of chamber music. Among his earliest partners in the Lied repertoire was Dietrich Fischer-Dieskau, with whom he recorded Schubert’s Winterreise. Cecilia Bartoli has now invited Daniel Barenboim to once again devote himself with her and Martha Argerich (whom he has known since childhood in Buenos Aires) to a composer who has accompanied him his whole life long. For Barenboim, Schubert’s music has a fascinating emotional complexity:

‘It allows us to experience completely contradictory feelings and thoughts simultaneously’. The way he penetrates the inner world of this music was perfectly described by Gerhard Rohde in his review of Barenboim’s cycle of Schubert’s piano works at the Salzburg Festival in 2012: ‘In his artistic re-creation of Schubert’s works, Barenboim seemingly transformed himself into the composer, becoming one with him.’

English

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Lomās

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