Name: Simfonični Orkester Rtv Slovenija - Kromatika 8
Start: 2024-05-16T00:00:00.000Z
End: 2024-05-16T00:00:00.000Z
Location: Cankarjev dom

Organization

Admin

Cankarjev dom Ljubljana

Conductor

Rossen Milanov

Orchestra

RTV Slovenia Symphony Orchestra

Pianist

Federico Colli

Piano

Cankarjev dom

Simfonični Orkester Rtv Slovenija - Kromatika 8

Ljubljana

Slovenia

Gallus Hall

Simfonični Orkester Rtv Slovenija - Kromatika 8: Piano Concerto No. 5 in E-flat Major, op. 73 ("Emperor Concerto") Beethoven (+1 More)

Concert

Piano Concerto No. 5 in E-flat Major Op. 73

Concerto for Orchestra in F Minor, Sz. 116, BB 123

Rahul Karaguppi

Approved

Although the great Beethoven is usually remembered primarily as the most influential symphonist in the transition from classicism to romanticism, which marked the entire orchestral creativity of the 19th century, we should not forget his indispensable contribution to piano literature - from thirty-two sonatas, more than twenty bagatelles and variations to six piano concerts. The fifth of them and the last one completed, the so-called Imperial, is imbued with a heroic, almost military nature, which probably explains its title. In this extremely long and demanding, but extremely charming work, the young Italian virtuoso Federico Colli will perform as a soloist. The doors of prestigious concert stages were opened for him by his victories at the Mozart Competition in Salzburg (2011) and the International Piano Competition in Leeds (2012). He studied at the conservatory in Milan, the Salzburg Mozarteum and the International Piano Academy in Imola. Colli nurtures a wide repertoire, with which he also intervenes in the music of the Baroque and Classicism. His second album of recordings of Scarlatti sonatas was chosen by Classical Music - BBC Music Magazine as one of the best albums released in 2020.

Since in the era of classicism and romanticism, the orchestra often did not express itself sufficiently alongside the bravura soloist, Béla Bartók, one of the most original composers of the 20th century, remedied this 'historical injustice' with his Concerto for Orchestra. As its title already suggests, it is a work in which the entire orchestra is shown as a soloist – Bartók assigned a particularly demanding and interesting role to each orchestral instrument. His Concerto for Orchestra therefore boasts an extremely multi-layered texture and full sound, as well as a richly branched musical content. Since its christening performance in Boston in 1944, it has been one of the most popular pieces, with which symphony orchestras around the world like to demonstrate their technical and artistic perfection. This time, our chief conductor Rossen Milanov takes us through the challenges of Bartók's and Beethoven's masterpieces.

English

Čeprav se velikega Beethovna navadno spominjamo predvsem kot najvplivnejšega simfonika na prehodu iz klasicizma v romantiko, ki je zaznamoval celotno orkestrsko ustvarjalnost 19. stoletja, ne gre pozabiti na njegov nepogrešljivi prispevek h klavirski literaturi – od dvaintridesetih sonat, dobrih dvajset bagatel in variacij do šestih klavirskih koncertov. Petega izmed njih in zadnjega dokončanega, tako imenovanega Cesarskega, prežema junaška, skoraj vojaška narava, s katero bi verjetno lahko razložili tudi njegov naslov. V tem izjemno dolgem in zahtevnem, a izjemno šarmantnem delu se bo kot solist predstavil mladi italijanski virtuoz Federico Colli. Vrata uglednih koncertnih odrov sta mu odprli zmagi na Mozartovem tekmovanju v Salzburgu (2011) in mednarodnem klavirskem tekmovanju v Leedsu (2012). Študiral je na konservatoriju v Milanu, salzburškem Mozarteumu ter mednarodni klavirski akademiji v Imoli. Colli neguje širok repertoar, s katerim posega tudi v glasbo baroka in klasicizma. Njegov drugi album s posnetki Scarlattijevih sonat je revija Classical Music – BBC Music Magazine izbrala za enega najboljših albumov, izdanih leta 2020.

Ker v času klasicizma in romantike orkester ob bravuroznem solistu pogosto ni prišel dovolj do izraza, je Béla Bartók, eden najizvirnejših skladateljev 20. stoletja to 'zgodovinsko krivico' odpravil s svojim Koncertom za orkester. Kot nakazuje že njegov naslov, gre za delo, v katerem je celoten orkester prikazan kot solist – Bartók je vsakemu orkestrskemu glasbilu namenil prav posebno zahtevno in zanimivo vlogo. Njegov Koncert za orkester se zato ponaša z izjemno večplastno teksturo in polnim zvenom ter bogato razvejano glasbeno vsebino. Od svoje krstne izvedbe v Bostonu leta 1944 predstavlja enega najbolj priljubljenih del, s katerim simfonični orkestri po svetu radi razkažejo svojo tehnično in umetniško dovršenost. Skozi izzive Bartókove, pa tudi Beethovnove mojstrovine nas tokrat pelje naš šef dirigent Rossen Milanov.

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