Organization

Soprano

Rinat Shaham

Judith

Basso-baritono

Gábor Bretz

Il duca Barbablù

Direzione d'orchestra

Simon Rattle

Orchestra

Berliner Philharmoniker

Simon Rattle conducts “Bluebeard’s Castle”

Berlino

Germania

Béla Bartók’s only opera Bluebeard’s Castle sounds enigmatic and dark. This is a spectral psychological drama, clad in an impressionist music rich in allusions. The vocal soloists at this performance with Simon Rattle are Rinat Shaham and Gábor Bretz. As a counterpoint there is – with Emanuel Ax as soloist – a new piano concerto by HK Gruber, whose style is characterised by subtle wit and jazzy swing.

Simon Rattle conducts “Bluebeard’s Castle”: A Kékszákallú herceg vára Bartók

Public

Il castello del principe Barbablù

Approvato

Basso

Instrumentalist

Pianoforte

Violinista

Cellist

Violista

Suonatore di flauto

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composizione

Regia

Libretto

Scenografia

Costumi

Coreografia

Luci

Ballerino/a

Recitazione

Direzione del coro

Video

Drammaturgia

Traduzione

Sound designer

Maestro accompagnatore

Trucco

Produzione esecutiva

Parrucco

Altro

Stage Manager

Coro

Poeta

Docente di canto

Insegnante

Fotografia

Emittente radiotelevisiva

Illustrator

Scrittura

Scrittura ed esecuzione

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Contralto

Singer

Baritono

Tenore

Mezzosoprano

Controtenore

Verbale

Voce bianca

Silenzioso

Alto

Continuo

The music of HK Gruber, which has been described with labels like “neo-romantic”, “neo-tonal”, “neo-expressionist” and “neo-Viennese,” defies categorisation. The oeuvre of the composer, who was born in Vienna in 1943, is simply too diverse and individual; the most varied of stylistic worlds coalesce seamlessly. Gruber studied double bass, French horn, piano and composition at the Viennese Conservatory, was a double bass player in the ORF Symphony Orchestra, and worked as a conductor with many internationally renowned orchestras. In his work he initially aligned himself towards the techniques of the avant-garde, until being advised by his colleague Kurt Schwertsik: “Write the music you want to hear.” Even as late as 1992, Gruber called this sentence the “simplest and at the same time most important answer to the question of my existence”. He had his breakthrough with the “pan-demonium” Frankenstein!!, premiered in 1978, characterised by typically Viennese black humour. Gruber has now composed a new piano concerto that can be heard for the first time conducted by Sir Simon Rattle in Berlin’s Philharmonic Hall. The soloist is none other than Emanuel Ax, whose interpretations have stimulated many reviewers to comparisons with the most famous piano virtuosos of the 20th century. Ax, who was the pianist in residence of the Berliner Philharmoniker in the 2005/06 season and who has been working together with the orchestra for about 25 years, has in recent years turned in particular towards contemporary music, and has premiered new works by John Adams, Christopher Rouse and Thomas Adès.

The programme continues with Béla Bartók’s one-act opera Bluebeard’s Castle, with Rinat Shaham (mezzo-soprano) and Gábor Bretz (bass): a symbolist psychological drama in which the external action is reduced to a minimum in favour of the “drame interieur”, since, in his own words, the composer furnished the mystery play by the Hungarian avant-gardist Béla Balázs, which is based on Maurice Maeterlinck’s theatre fairy tale Ariane et Barbe-Bleue, with “a symbolic timbral dimension of depth”. Accordingly, the actual drama, the psychological confrontation between the two players Bluebeard and Judith, also takes place principally in the orchestra: besides descriptive-narrative passages and musical images, which in the course of the opera create a fantastically coloured dream world, there is also a series of longer symphonic passages that accompany and complement the dramatic opera plot, continuing the vocal aspect extremely vividly.

English

Simon Rattle conducts “Bluebeard’s Castle” by Bartók, sab 18 mar 2017, Da (2017/2017), Direttore d'orchestra Simon Rattle

Crediti di rappresentazione (Cast e team di produzione )

Cast

Ensemble

Programma, informazioni e sinossi

Foto

Ulteriori letture

Date e sedi delle rappresentazioni

Sedi