Name: Spanish Colours
Start: 2017-11-30T00:00:00.000Z
End: 2017-11-30T00:00:00.000Z
Location: Konserthus

Admin

Oslo Philharmonic

Instrumentalist

Louisa Tuck

Cello

Conductor

Vasily Petrenko

Gonzalo Moreno

Piano

Orchestra

Spanish Colours

Oslo

Norway

Konserthus

Public

Concert

Oratorio / Orchestral

Don Quixote

Nights in the Gardens of Spain, G. 49

Ritirata Notturna Di Madrid (after Boccherini)

Keerthi Raj

Approved

Bass

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Bass-baritone

Singer

Tenor

Baritone

Contralto

Countertenor

Soprano

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Continuo

Spanish Colours
Vasily Petrenko and the Oslo Philharmonic Orchestra embark on a colourful journey to Spain!

In Manuel de Falla’s Noches en los jardines de España, you will inhale the scent of jasmine, sense the echo of Moorish roots and enjoy the vivid Mediterranean colours of the Spanish gardens, painted with the finest of impressionistic brushes. The Spanish night marches on to a military beat as the night brigade of Madrid closes off the streets in Berio’s inventive Ritirata Notturna di Madrid, after Boccherini’s tones from the 18th century. Louisa Tuck’s cello will then entice you to partake in a knight’s imaginings in Strauss’ Don Quixote. Bienvenido!

One of Strauss’ (1864-1949) foremost talents as a composer was his ability to paint musical portraits of characters or events, or to create a particular mood, using an exceptionally rich and inventive orchestra palate. The tone poem was a genre which suited him perfectly, and in works like Don Quixote (1897) he was able to distribute liberally his phenomenal skills for orchestra colour and inventive melodies. The cello soloist represents Don Quixote himself and in Strauss’ work the fantasies seem to appear as life-like as they do for the protagonist himself.

We also find an impressive soundscape in Manuel de Falla’s (1876-1946) Noches en los jardines de España (1915) for piano and orchestra. His “symphonic impression” of nights in the Spanish gardens are his most impressionistic and colourful, and there is a nod to history in the Moorish influences which have crept in between the musical lines. Overall, the music oozes Spanish scents, sounds and colours.

The sound- and technical potential of musical instruments was also a critical source of inspiration for the Italian Luciano Berio (1925-2003), both in his own works and in his arrangements such as the festive and unpredictable version of Ritirata Notturna di Madrid (1975), originally composed in the 1700’s by Luigi Boccherini.

English

Spanish Colours by Strauss, Falla, Berio, De (2017/2017), Director musical Vasily Petrenko, Konserthus, Oslo, Norway

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