Name: SSO in Spain
Start: 2024-03-20T00:00:00.000Z
End: 2024-03-23T00:00:00.000Z
Location: ADDA Alicante

Admin

Stavanger Symphony Orchestra

Dirigat

Andris Poga

Orchestra

SSO in Spain

Alicante

Spanien

ADDA Alicante

Valladolid

Centro Cultural Miguel Delibes

Salamanca

Fundación Salamanca Ciudad de Cultura y Saberes

Public

Private

Concert

Konzert

Lyric Pieces

Klavierkonzert Nr. 2 in g-Moll, Op. 16

Sinfonie Nr. 5 e-Moll, op. 64

Saurav Kumar

Genehmigt

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Bühnenbild

Chor

Chordirektion

Choreographie

Chorus Director

Dramaturgie

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Kostümbild

Lehrer

Leitender Produzent

Libretto

Lichtgestaltung

Maske

Orchester

Orchestra Operations

Photographer

Poet

Regie

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Videogestaltung

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Mezzosopran

Sänger

Tenor

Bass

Bass-Bariton

Bariton

Countertenor

Sopran

Alto

Continuo

Kinderstimme

Sprechrolle

Stumme Rolle

Ørjan Matre, Sergei Prokofiev, and Pyotr Tchaikovsky. It’s set for an evening of excitement, anticipation, anger, and temperament! But also: gloom, melancholy, and sorrow.
“Lyric Pieces” by Ørjan Matre is a musical reflection on Grieg’s beloved piano pieces. The work is a kind of hybrid between arrangement, sophisticated orchestration, commentary composition, and free fantasy, with surprising and fresh twists. The orchestral sound is rich and brilliant, and fragments of the old pieces seep through, insisting on their enduring strength. Nevertheless, this is by no means an orchestration of Grieg. Matre relates to Grieg as a peripheral memory – something abstract, yet close and dear. Respectfully and treated with love. “Lyric Pieces” form a harmonious and beautiful universe that, through associative detours to both Hollywood, Disney, and contemporary elements, makes both modern orchestral music and the classical heritage relevant to a broader audience. The music is elegant and assured, with a distinct touch of Matre himself even though Grieg is visiting. In the last lyric piece, “Efterklang,” a recording of Grieg himself playing the piano (from 1903) is played while the orchestra gently accompanies him. “Lyric Pieces” was nominated for the Nordic Council Music Prize in 2020.

Sergei Prokofiev wrote three piano concertos, with No. 3 being the most well-known and performed. No. 2 in G minor (1913, revised 1923) caused a scandal at its premiere; several people left the hall due to the dissonances in the harmony, but the composer enjoyed this role. The concerto includes many harmonic jolts and shocks. Prokofiev’s distinctive motor skills in the second movement can make it difficult for listeners to sit still.

As the final piece of the evening, we hear Pyotr Tchaikovsky with Symphony No. 5 in E minor. The work can be performed sentimentally, but when this is avoided, it is easy to be moved by the alternation between gloomy melancholy, delicate lyricism, and wild outbursts of temperament. The introduction to the first movement is a somber funeral march, sung by clarinets with deep tones and dark timbre in the strings. The second movement is particularly emotional, but if played to the extremes, it’s hard not to get caught up in the melancholic progression. In the scherzo, Tchaikovsky reveals himself as the outstanding orchestrator he could be. The final movement is hectic, with ascents towards the grandiose. The storm towards the end expresses great optimism with its impact.

English

SSO in Spain by Matre, Prokofiev, Tchaikovsky, P. I., Mi. 20 März 2024, Ab (2024/2024), Dirigat Andris Poga, ADDA Alicante, Alicante, Spanien

Aufführungskredite (Besetzung & Produktionsteam )

Ensemble

Programm, Info & Synopsis

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte