Name: Stefano Montanari
Start: 2023-03-28T00:00:00.000Z
End: 2023-03-29T00:00:00.000Z
Location: Auditorium Bolzano (Konzerthaus Bozen)

Organization

Dirigat

Stefano Montanari

Clarinetist

Marco Giani

Instrument

Clarinet

Fondazione Haydn di Bolzano e Trento

Orchestra

Orchestra "I Pomeriggi Musicali" di Milano

Trient

Italien

Centro Servizi Culturali S. Chiara

Teatro Auditorium Trento

Bozen

Auditorium Bolzano (Konzerthaus Bozen)

Stefano Montanari: Introduction, Theme and Variations for Clarinet and Orchestra  in c minor Rossini (+2 Mas)

Public

Introduction, Theme and Variations for Clarinet and Orchestra  in c minor

6 Symphonies op 12

Sinfonie Nr. 1 in C-Dur, op. 21

Genehmigt

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Bühnenbild

Chefdirigent Musiktheater

Chor

Chordirektion

Choreographie

Chorus Director

Dramaturgie

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Kostümbild

Lehrer

Leitender Produzent

Libretto

Lichtgestaltung

Maske

Orchester

Orchestra Operations

Photographer

Poet

Regie

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Videogestaltung

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Bariton

Sänger

Sopran

Tenor

Bass-Bariton

Bass

Mezzosopran

Countertenor

Alto

Continuo

Kinderstimme

Singer

Sprechrolle

Stumme Rolle

With the Introduction, Theme and Variations by Rossini, the audience will be welcomed by the sparkling virtuosity of the Principal clarinet of the I Pomeriggi Musicali Orchestra of Milan. Under the direction of Stefano Montanari, Marco Giani and the orchestra will tackle this brilliant piece, in which the young Rossini transforms the clarinet into a human voice, between sinuous melodic profiles and virtuosic variations, which allow the soloist to show off all his skill of him. Luigi Boccherini was also a virtuoso, a great cellist and highly original composer, who lived in the second half of the eighteenth century and was an exponent of an often forgotten Italian Classicism. Author of over 580 works, he wrote about thirty symphonies and symphonies concertante, of which the proposed one was the first to be published, in 1771, with five other sisters called “Concerti a grande orchestra”, still on the Baroque model. Although his activity led him to the courts of all Europe, due to the reverses of history Boccherini lost most of his patrons and lived his last years in poverty, in sickness and in an oblivion from which he is emerging only in recent times . In fact, about thirty years passed between Boccherini's First Symphony and Beethoven's First Symphony: but in these thirty years, the world has changed. If with Boccherini we are still immersed in gallant and rococo atmospheres, with Beethoven we are preparing for a revolution. Tribute to the great Haydn and Mozart, we can consider the First Symphony a run-up before that leap that will change the history of music forever. Although his activity led him to the courts of all Europe, due to the reverses of history Boccherini lost most of his patrons and lived his last years in misery, in illness and in an oblivion from which he is emerging only in recent times. In fact, about thirty years passed between Boccherini's First Symphony and Beethoven's First Symphony: but in these thirty years, the world has changed. If with Boccherini we are still immersed in gallant and rococo atmospheres, with Beethoven we are preparing for a revolution. Tribute to the great Haydn and Mozart, we can consider the First Symphony a run-up before that leap that will change the history of music forever. Although his activity led him to the courts of all Europe, due to the reverses of history Boccherini lost most of his patrons and lived his last years in misery, in illness and in an oblivion from which he is emerging only in recent times. In fact, about thirty years passed between Boccherini's First Symphony and Beethoven's First Symphony: but in these thirty years, the world has changed. If with Boccherini we are still immersed in gallant and rococo atmospheres, with Beethoven we are preparing for a revolution. Tribute to the great Haydn and Mozart, we can consider the First Symphony a run-up before that leap that will change the history of music forever. in sickness and in an oblivion from which it is only recently emerging. In fact, about thirty years passed between Boccherini's First Symphony and Beethoven's First Symphony: but in these thirty years, the world has changed. If with Boccherini we are still immersed in gallant and rococo atmospheres, with Beethoven we are preparing for a revolution. Tribute to the great Haydn and Mozart, we can consider the First Symphony a run-up before that leap that will change the history of music forever. in sickness and in an oblivion from which it is only recently emerging. In fact, about thirty years passed between Boccherini's First Symphony and Beethoven's First Symphony: but in these thirty years, the world has changed. If with Boccherini we are still immersed in gallant and rococo atmospheres, with Beethoven we are preparing for a revolution. Tribute to the great Haydn and Mozart, we can consider the First Symphony a run-up before that leap that will change the history of music forever.

English

Con l’Introduzione, Tema e Variazioni di Rossini, il pubblico verrà accolto dal virtuosismo sfavillante del Primo clarinetto dell’Orchestra I Pomeriggi Musicali di Milano. Con la direzione di Stefano Montanari, Marco Giani e l’orchestra affronteranno questo brano brillante, in cui il giovane Rossini trasforma il clarinetto in una voce umana, tra sinuosi profili melodici e virtuosistiche variazioni, che permettono al solista di dare sfoggio di tutta la sua bravura. Un virtuoso era anche Luigi Boccherini, grande violoncellista e compositore originalissimo, vissuto nel secondo Settecento ed esponente di un Classicismo italiano spesso dimenticato. Autore di oltre 580 lavori, scrisse una trentina di sinfonie e sinfonie concertanti, di cui quella proposta fu la prima ad essere pubblicata, nel 1771, con altre cinque sorelle chiamate “Concerti a grande orchestra”, ancora sul modello barocco. Nonostante la sua attività lo abbia condotto per le corti di tutta Europa, per i rovesci della storia Boccherini perse gran parte dei suoi mecenati e visse i suoi ultimi anni in miseria, in malattia e in un oblio da cui sta emergendo solo in tempi recenti. Tra la Prima Sinfonia di Boccherini e la Prima Sinfonia di Beethoven, infatti, passano circa trent’anni: ma in questi trent’anni, il mondo è cambiato. Se con Boccherini siamo ancora immersi nelle atmosfere galanti e rococò, con Beethoven ci prepariamo ad una rivoluzione. Omaggio ai grandi Haydn e Mozart, possiamo considerare la Prima Sinfonia una rincorsa prima di quel salto che cambierà per sempre la storia della musica.

italiano

Stefano Montanari by Rossini, Boccherini, L., Beethoven, Di. 28 März 2023, Ab (2023/2023), Dirigat Stefano Montanari, Auditorium Bolzano (Konzerthaus Bozen), Bozen, Italien

Aufführungskredite (Besetzung & Produktionsteam )

Instrumentierung

Produktionsteam

Ensemble

Programm, Über & Zusammenfassung

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte