Name: Sternenhoch
Start: 2021-10-20T00:00:00.000Z
End: 2022-03-23T00:00:00.000Z
Location: Nová scéna, Prague (New Stage)

Organization

Singer

Sergej Kostov

Sternenhoch

Vanda Šípová

Helga

Luděk Vele

Helga´s Father

Baritone

Jiří Hájek

Trhan

Tereza Marečková

Kuhmist

Stage director

Michal Dočekal

Conductor

Jan Bubak

Lighting designer

Ondřej Kyncl

Costume designer

Eva Jiříkovská

Set designer

Marek Cpin

Choreographer

Lenka Vagnerová

Dramaturge

Beno Blachut

Sound designer

Eva Hamouzová

National Theatre Prague

esperanto

Prague

Czech Republic

Nová scéna, Prague (New Stage)

Sternenhoch Acher

Public

Saurav Kumar

čekų

anglų

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Chorus master

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Tenor

Countertenor

Bass

Contralto

Mezzo-soprano

Bass-baritone

Soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Premiéra 7. dubna 2018http://www.narodni-divadlo.cz/cs/predstaveni/11991

Michal Dočekal k inscenaci Sternenhoch

Ladislav Klíma’s grotesque romanetto The Sufferings of Prince Sternenhoch has like an inextinguishable fire now stricken a fifth generation of seekers of earthly and cosmic forces. Stricken, inspired, burnt and ignited. The prose’s unique combination of the low and the high, the comical and the horrific, philosophy of the uppermost spheres and everyday lewdness served as a sufficient breeding ground for a music creator with a penchant for morphing genres, a creator who likes to alternate darkness with the burlesque, and feels a close affinity to the author of the novel in terms of making use of the time entrusted to us on earth.

The expressionistic nature of Ladislav Klíma’s book and the subject of a fictitious diary abounding in murders, dreams about murders, tattle and high philosophising of the five main characters directly urges the application of trained voices within the new context of the sonic potential of electronic composition. Composition that, notwithstanding an experimental approach, has not altogether deserted the domain of historical music yet utilises it in novel acoustic options, blending sampling, electronics and live instruments.

The production of Ivan Acher’s Sternenhoch, directed by Michal Dočekal, has become a true contemporary opera blockbuster, lauded by the critics and enjoying unceasing demand on the part of audiences and music festivals. The Divadelní noviny readers voted it Production of 2018.

The production’s performance was recorded with the support of Opera Vision and Creative Europe.

English

Sternenhoch by Acher, sek 31 spa 2021, Nuo (2021/2022), Režisierius Michal Dočekal,, Dirigentas Jan Bubak, Nová scéna, Prague (New Stage), Prague, Czech Republic

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