Name: Stravinsky: Persephone, Symphony of Psalms
Start: 2023-07-01T00:00:00.000Z
End: 2023-07-02T00:00:00.000Z
Location: Zavod Shpagina

Organization

The Diaghilev Festival

Direzione d'orchestra

Teodor Currentzis

Regia

Anna Guseva

Direzione del coro

Alexander Ponomarev

Tenore

Yegor Semenkov

Eumolpe

Silenzioso

Aisylu Mirhafizkhan

Persephone

Others

musicAeterna Choir

Orchestra

musicAeterna Orchestra

Stravinsky: Persephone, Symphony of Psalms

Perm'

Russia

Zavod Shpagina

Stravinsky: Persephone, Symphony of Psalms: Symphony of Psalms Stravinsky (+1 More)

Public

Sinfonia dei Salmi

Persefone

Approvato

Basso

Instrumentalist

Pianoforte

Violinista

Cellist

Violista

Suonatore di flauto

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composizione

Libretto

Scenografia

Costumi

Coreografia

Luci

Ballerino/a

Recitazione

Video

Drammaturgia

Traduzione

Sound designer

Maestro accompagnatore

Trucco

Produzione esecutiva

Parrucco

Altro

Stage Manager

Coro

Poeta

Docente di canto

Insegnante

Fotografia

Emittente radiotelevisiva

Illustrator

Scrittura

Scrittura ed esecuzione

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Mezzosoprano

Controtenore

Baritono

Contralto

Soprano

Basso-baritono

Verbale

Voce bianca

Alto

Continuo

The Symphony of Psalms" is one of the most influential works of the 20th century and the most famous of Stravinsky's opuses on a religious theme. Stravinsky's composition has little in common with classical symphonies of the 19th century – as a representative of modernity he was looking for a new expressiveness in it, restrained and devoid of romantic sentiments. The search took him deep into the past, to Bach and the masters of the early Baroque - Giovanni Gabrieli and Schutz with their "Sacred Symphonies". Stravinsky removes "emotional" violins, violas and clarinets from the orchestra, increases the number of wind instruments to get an archaic, organ sonority, and suggests using children's voices instead of women's in the choir. The instruments and voices participate on equal terms in his complex contrapuntal fabric, in the notes one finds typical Renaissance and Baroque madrigalisms – sound illustrations for words and visual images.

The relationship between the spiritual and the secular in the "Symphony of Psalms" is well reflected in the wording of its dedication: "Composed for the glory of God for the Boston Orchestra on the occasion of its 50th anniversary". Having received an order for a concert composition, Stravinsky used it to reflect on the topics that worried him, and interpreted the publisher's request to "compose something popular" in his own way. Having no intention to adapt the music to the mass taste, he used psalms – "poems of praise, but also of anger and judgment, and even curses" – as a well-known ("popular") primary source. The "Symphony of Psalms" freely refers to the musical styles of three Christian denominations at once, without trying to fit the church usage. At the same time, it remains a personal and rather direct religious statement, in which, by Stravinsky's standards, there is surprisingly little irony.

Stravinsky calls "Perséphone" a melodrama, but it's not about a sentimental love story – rather, he means a special form of "reading to music", a common practice at the beginning of the 20th century. From a theatrical point of view, this is a composition of a mixed genre, which combines singing and recitation, an antique choir and lullabies, pantomime and statuesque mise en scene. "Perséphone" was created by order of Ida Rubinstein as a ballet – but it does not resemble the usual dance performances. Its syncretic form refers rather to the "ballets" of Monteverdi's time, in which there was sometimes much more singing than dancing.

In "Perséphone" Stravinsky yet again composes the ritual of spring – albeit not exactly the same as in "The Rite of Spring". Here the music is softer and more lyrical, the orchestra rarely plays in full force, and the myth underlying the plot is not Proto-Slavic, but Antique. Greek mythology and culture in general are extremely important for Stravinsky: resurrecting the pre-Romantic artistic ideal in his work, he restores the attitude to the Antiquity as a model, a living practice, and not as history.

In Stravinsky's and Andre Gide's version, Persephone turns out to be a proto-Christian figure – a child of the gods who voluntarily descended into the underworld out of pity for the souls suffering there and resurrected to a new life under the final stanzas of the choir, in the text of which researchers see references to the parable of the wheat grain from the Gospel of John (12:24). Into the image of Persephone, doomed to wander between two worlds, Stravinsky could also put the personal experiences of an artist standing (like all artists) on the border between aesthetic pleasure in an ivory tower and the bitter reality of daily human suffering.

English

Stravinsky: Persephone, Symphony of Psalms by Stravinsky, sab 01 lug 2023, Da (2023/2023), Diretto da Anna Guseva,, Direttore d'orchestra Teodor Currentzis, Zavod Shpagina, Perm', Russia

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