Name: Tamerlano
Start: 2014-09-25T00:00:00.000Z
End: 2014-09-25T00:00:00.000Z
Location: Theater an der Wien

Admin

Organization

Singer

Countertenor

Xavier Sabata

Tamerlano

Tenor

John Mark Ainsley

Bajazet

Soprano

Sophie Karthäuser

Asteria

Max Emanuel Cencic

Andronico

Mezzo-soprano

Ruxandra Donose

Irene

Bass

Pavel Kudinov

Leone

Conductor

Maxim Emelyanychev

Libretto

Nicola Francesco Haym

MusikTheater an der Wien

italijanščina

Tamerlano -  (Tamerlane)

Vienna

Austria

Theater an der Wien

Tamerlane

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Bass-baritone

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

In Tamerlano - premiered in 1724 at the King's Theater in London - the unscrupulous Tartar prince and the indomitable Sultan Bajazet face each other as opponents. The (historical) power struggle and Tamerlan's victory over the Ottomans was a popular subject in literature and theater. In Georg Friedrich Handel's version with a libretto by Nicola Francesco Haym, however, the conflict continues on a private level. Tamerlano asks the daughter of his prisoner Bajazet, Asteria, to be his wife. But the hero so successful on the battlefield has to admit his failure in this matter.
It is not Tamerlano, but rather the complex character of Bajazet - torn between his pride as a captive ruler and as a father - that dominates the scene and makes this Handel opera so extraordinary. The death scene after his suicide is one of the most dramatic moments that Handel wrote. It seems that he anticipated the death scenes of Bellini's and Donizetti's operas by more than a hundred years.

English

Tamerlane by Händel, Od (2014/2014), Dirigent Maxim Emelyanychev, Theater an der Wien, Vienna, Austria

Krediti za predstavo (Zasedba in producentska ekipa )

Igralska zasedba

Posadka

Program, O in Sinopsis

Dodatno branje

Datumi in prizorišča nastopov

Lokacija