Organization

Münchener Biennale

Regia

Sandra Strunz

Direzione d'orchestra

Rei Munakata

Scenografia

Sabine Kohlstedt

Luci

Nicole Berry

Suono

Sebastian Schottke

Drammaturgia

Anna-Sophia Güther

Cantante

Johanna Greulich

Dana

Eva Resch

Sara

Jessica Higgins

Matthias Breitenbach

Data Collector

Ilya Lapich

Dream Interpreter

Maria Munkert

Coreografia

Ted Stoffer

Deborah Maier

Art and mediation

Oliver Riedmüller

Nationaltheater Mannheim

Orchestra

Nationaltheater-Orchester Mannheim

inglese

The Damned and the Saved

Germania

Public

tedesco

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coro

Costumi

Direzione del coro

Docente di canto

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Stage Manager

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Soprano

Controtenore

Contralto

Baritono

Mezzosoprano

Basso-baritono

Tenore

Basso

Alto

Mimi

Narrazione

Voce bianca

In “The Damned and the Saved”, the composer Malin Bång and Pat To Yan, in-house author at NTM in the 2021/22 season, focus on the friendship of two women in their work together. In an unspecified repressive system, a machine rules as king, which is fed with garbage left behind after demonstrations. This is used for meticulous follow-up and provides information on entire biographies, which can then be switched off. The friends try to assert themselves against this totalitarian violence and choose different ways of resistance. This puts their relationship to the test, as Dana radically confronts herself and those around her with the rule of injustice, while Sara pursues a quieter revolution.

In his first libretto, Pat To Yan negotiates the question of how unconditional resistance must be in a metaphorical-simile and at the same time brutally concrete. In his text, levels of reality and dreams shift, which congenially merge through the music.

The music of the Swedish composer Malin Bång creates a cosmos full of surprising and contrasting sounds that range from restrained intimacy to stubborn sharpness. Her composition continues the rhythm and melody of Pat To Yan's libretto and creates both connections and boundaries between the worlds of experience of the two protagonists.

English

The Damned and the Saved by Bång, gio 16 giu 2022, Da (2022/2022), Diretto da Sandra Strunz,, Direttore d'orchestra Rei Munakata

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