Name: The Tale of Tsar Saltan
Start: 2022-08-28T00:00:00.000Z
End: 2023-05-14T00:00:00.000Z
Location: Primorsky Stage of the Mariinsky Theatre

Organization

Stage director

Ekaterina Malaya

Set designer

Petr Okunev

Video designer

Vadim Dulenko

Chorus master

Larisa Shveikovskaya

Anna Pipia

Pianist

Marina Repina

Conductor

Waleriy Trubin-Leonoff

Bass

Сергей Севастьянов

Tsar Saltan

Soprano

Alena Diyanova

Militrisa

Tenor

Mingiyan Odzhaev

Prince Gvidon

Alina Mikhailik

Swan-Princess

Mezzo-soprano

Laura Bustamante

The weaver

Olga Maslova

Cook

Contralto

Irina Kolodyazhnaya

Matchmaker-Crone

Primorsky Stage of the Mariinsky Theatre

Lighting designer

Alexander Rudakov

rusă

The Tale of Tsar Saltan

Vladivostok

Russia

Great Hall

Chamber Hall

Public

engleză

Approved

Instrumentalist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Costume designer

Choreographer

Dancer

Actor

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Singer

Baritone

Countertenor

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Nikolay Rimsky-Korsakov is called the greatest storyteller in the history of Russian music and The Tale of Tsar Saltan – his most joyful opera. Based on Pushkin’s theme, it was composed to coincide with the centenary of the genius of Russian poetry, so the composer tried to follow the original Pushkin’s text as closely as possible. And, indeed, the poetic lines of the immortal fairy tale literally tickle one’s imagination, prompting the musical solution: the magical squirrel sings: “In the grove or in the garden…” and the Swan Princess “speaks the Russian language.”

Rimsky-Korsakov wanted to compose music which would match Pushkin’s fairy tale – something Russian, lubok- and fair-like. The composer was so successful in incarnating this vision that after the opera premiere he became known as “the musical Pushkin”. Rimsky-Korsakov preserved both long, bylina-like name of the poem and Saltan’s peculiar features, such as naivety, good-natured humour, fast “dancing” rhythm, folklore storytelling techniques and national ethnic flavour.

The compositional method itself, which the author perceived as “grid drawing,” is a detailed artistic illustration akin to the art of ethnic embroidery or craftsmen’s palekh miniatures. Here, indeed, Rimsky-Korsakov could give rein to his love for filigree precision and careful drawing of “tasty bits,” his talent for colourful and inventive instrumentation. Apt description of the characters creates folklore-like rich and vivid images. The symphonic fragments, which brought Rimsky-Korsakov a resounding success before the opera had even premiered, are magnificent: the orchestra intermezzo Three Wonders, depicting wonders found in the City of Ledenets (a squirrel cracking golden nuts, thirty-three sea-knights (bogatyrs) headed by Chernomor and the beautiful Swan Princess), as well as the famous Bumblebee Flight which has become one of the main “hits” of music classics.

The producers who staged “The Tale About Tsar Saltan” on the Primorsky Stage – director Daria Panteleeva and designer Piotr Okunev – have created the performance with a thorough knowledge and respect for Russian fairy-tale traditions. On the stage, we can see accurately reconstructed signs of Russian life: delicate lace of wooden architecture and bright national class- and character-specific costumes seem to have stepped out of classical illustrations of folk tales.

Nadezhda Koulygina

English

The Tale of Tsar Saltan by Rimsky-Korsakov, De la (2022/2023), Regizat de către Ekaterina Malaya,, Dirijor Waleriy Trubin-Leonoff, Primorsky Stage of the Mariinsky Theatre, Vladivostok, Russia

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Program, Despre și Sinopsis

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