Name: Three Intermezzi for String Quartet
Start: 2023-06-11T00:00:00.000Z
End: 2023-06-11T00:00:00.000Z
Location: Kölner Philharmonie

Organization

Strumento

Martina Horejsi-Kiefer

Daniel Raabe

Alvaro Palmen

Anna Haakh

Cantante

Mezzosoprano

Ursula Hesse von den Steinen

Mezzo-soprano

Violin

Viola

Violincello

Elisabeth Polyzoides

Gürzenich - Orchester Köln

Three Intermezzi for String Quartet

Colonia

Germania

Kölner Philharmonie

Public

Dover Beach, op. 3

Three Songs for mezzo-soprano and string quartet

Composition

Approvato

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chorus Director

Composizione

Coreografia

Coro

Costumi

Direzione d'orchestra

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Tenore

Basso

Controtenore

Basso-baritono

Baritono

Contralto

Soprano

Alto

Continuo

Mimi

Narrazione

Voce bianca

Ostracized, persecuted, forgotten: The life and afterlife of Karl Weigl is one of the most tragic chapters in recent music history. The Viennese composer was a great success in the 1920s – he was friends with Schönberg, his works were performed by Furtwängler, and he received numerous awards. Then the Nazis took power in Austria, and Weigl, who had Jewish roots, fled to the USA. At 57, he was forced to start all over again in a foreign country, but he couldn’t gain foothold and his compositions piled up in the drawer. This concert strives to re-establish his esteem and juxtaposes Weigls music with that of two other composers from his living environments Austria and the USA: Anton Webern, who explores the new territory of twelve-tone music with his Bagatelles, and Samuel Barber, whose piece »Dover Beach« marks the beginning of his career – and a successful one at that.

English

Verfemt, verfolgt, vergessen: Leben und Nachleben von Karl Weigl gehören zu den tragischsten Kapiteln der jüngeren Musikgeschichte. Der Wiener war einer der erfolgreichsten Komponisten der 1920er Jahre, befreundet mit Schönberg, aufgeführt von Furtwängler, vielfach preisgekrönt. Doch als die Nazis Österreich annektierten, floh Weigl, der jüdische Wurzeln hatte, in die USA. Mit 57 musste er in der Fremde nochmal von vorn anfangen, konnte jedoch nicht mehr wirklich Fuß fassen, komponierte für die Schublade. Das Konzert wagt eine Rehabilitierung und stellt seine Musik der von zwei anderen Komponisten aus Weigls Lebenswelten Österreich und USA gegenüber: Anton Webern, der mit seinen Bagatellen auf das Neuland der Zwölftonmusik vorstieß, und Samuel Barber, der mit »Dover Beach« seine Karriere startete – auch ein Aufbruch, in diesem Fall ein höchst erfolgreicher.

Deutsch

Three Intermezzi for String Quartet by Weigl, K., Dover Beach, op. 3 by Barber, Three Songs for mezzo-soprano and string quartet by Weigl, K., Composition by Various, dom 11 giu 2023, Da (2023/2023), Kölner Philharmonie, Colonia, Germania

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