Organization

Singer

Tenor

Gwyn Hughes Jones

Mario Cavaradossi

Baritone

Dario Solari

Baron Scarpia

Ole Jørgen Kristiansen

The sacristan

Bass

Håvard Stensvold

Cesare Angelotti

Adam Frandsen

Spoletta

Stage director

Zuzana Gilhuus

Conductor

Han-Na Chang

Costume designer

Set designer

Chorus master

Ursa Lah

Soprano

Elisabeth Teige

Floria Tosca

Child vocalist

Tonje Eero Hove

A shepherd

Sverre Johan Aal

Sciarrone

Morten Kvaal

A jailer

Trondheim Symfoniorkester & Opera

Orchestra

Trondheim Symfoniorkester

Others

TSO Choir

TSO Choir and children's choir

Trondheim Vocal Ensemble

italiensk

Tosca

Trondheim

Norway

Public

norsk

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Mezzo-soprano

Contralto

Countertenor

Alto

Continuo

Silent

Spoken

A Bloody Political Thriller: Tosca Puccini

Cheif conductyor Han-Na Chang about Tosca:

Floria Tosca is a very complex woman… during this one day and night that we get to meet her, the most famous, glamorous and beautiful singer of her time, Tosca, has a very hard time communicating with her lover Cavaradossi, a painter with revolutionary Voltairean political beliefs. They sing of their love for each other every time we see them, and they love each other oh so much - but each time there is some sort of deception involved, always with very good intentions, on his or her part… and they don’t really succeed to communicate genuinely what really matters in that moment to each of them, with fatal consequences…

However…. With Scarpia, the ruthless despot who almost succeeds to seduce her, she and he understand each other so well, so perfectly, even though she yells out so many times how she hates him. Scarpia knows just how to play her temperament, and in turn she knows just how to egg him on. She is not a calculating person at all, she does not act intentionally with motive behind her every move - no, not at all! I believe she is a very sincere and good person at heart, impulsive yes but always honest to herself, and she is definitely not a one-dimensional character… there is a very complex psychological person here in front of us and that is what makes this opera so fascinating.

What can I say about the music of Puccini! Brutal, truthful, exciting, dramatic, realistic hence theatrical to the bone, descriptive beyond words. Tosca is a perfect Puccini opera on steroids - where all three main characters end up dead. Come and find out why….

English

Tosca by Puccini, on. 23 mars 2022, Fra (2022/2022), I regi av Zuzana Gilhuus,, Dirigent Han-Na Chang

Forestillingkreditter (Ensemble & produksjonsteam )

Cast

Mannskap

Ensemble

Program, Informasjon & Sammendrag

Bilder

Videre lesning

Forestillingsdatoer og spillesteder

Sted