Name: Turandot
Start: 2021-11-24T00:00:00.000Z
End: 2022-04-14T00:00:00.000Z
Location: State Opera and Ballet Theater of Udmurt Republic

Organization

Stage director

Nikolay Markelov

Conductor

Nikolay Rogotnev

Costume designer

Sergej Novikov

Set designer

Chorus master

Lyudmila Eliseeva

State Opera and Ballet Theatre of Udmurt Republic

italų

Turandot

Izhevsk

Russia

State Opera and Ballet Theater of Udmurt Republic

Turandot Puccini

Public

rusų

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Singer

Countertenor

Soprano

Tenor

Baritone

Mezzo-soprano

Bass

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Exactly 90 years ago, on April 25, 1926, the premiere of the last opera of the last Italian classic took place at the Teatro alla Scala. Since then, the mysteries of the incomprehensible princess of the East and the mysterious operatic heroine of the West have haunted singers, directors, and the public. Puccini's most passionate, philosophical, fabulously exotic opera does not leave the stage of the largest theaters and opera festivals.
The legend of the beautiful daughter of Heaven, the cruel princess Turandot, fascinated the Venetian Carlo Gozzi back in the 18th century, and he dedicated one of his fairy tales for the theater to her. In the 19th century, Gozzi's tale was re-read and rewritten, quoted and commented on. In the 20th century, the myth of Turandot found its perfect expression in Puccini's opera.
Turandot is doomed to hatred - this is her ancestral curse.
- Horror lives forever in my heart. Nobody gets me. There are three riddles - but there is one death!
- There are three riddles - but one life! - objects Calaf, whose heart is aflame with love.
Is a happy ending possible for these two? Will the princess, who has become the culprit of so many deaths, be given insight and love? This is the fourth riddle of the opera that Puccini left us. He did not manage to finish his "Turandot" and directors in the 21st century are looking for an answer to this question ...

English

Turandot by Puccini, tre 24 lap 2021, Nuo (2021/2022), Režisierius Nikolay Markelov,, Dirigentas Nikolay Rogotnev, State Opera and Ballet Theater of Udmurt Republic, Izhevsk, Russia

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