Name: Turandot
Start: 2017-10-11T00:00:00.000Z
End: 2018-05-02T00:00:00.000Z
Location: Slovak National Theatre New Building

Admin

Organization

Soprano

Silvia Sorina Munteanu

Turandot

Anda-Louise Bogza

Maida Hundeling

Tenor

Ernesto Grisales

Calaf

Michal Lehotský

Boldizsár László

Adriana Kohútková

Liù

Katarína Flórová

Bass

Martin Malachovský

Timur

Ján Galla

Peter Mikuláš

Baritone

Ján Ďurčo

Ping

Daniel Čapkovič

Ján Babjak

Pang

Ondrej Šaling

Jozef Kundlák

Pong

Tomáš Juhás

Ivan Ožvát

The Emperor Altoum

Igor Pasek

František Ďuriač

A Mandarin

Mikuláš Doboš

Conductor

Rastislav Stur

Dušan Štefánek

Stage director

Jozef Bednárik

Set designer

Vladimír Čáp

Costume designer

Ludmila Várossová

Chorus master

Ladislav Kaprinay

Dramaturge

Martin Bendik

Slavomír Jakubek

Róbert Remeselník

Charles Kim

Slovak National Theatre

itāļu

Bratislava

Slovakia

Slovak National Theatre New Building

Turandot Puccini

Public

slovāku

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Lighting designer

Dancer

Actor

Video designer

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Bass-baritone

Contralto

Countertenor

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Continuo

The story that Puccini's Turandot presents to the audience is two centuries older than this opera. Originally linked to the legendary Tales of a Thousand and One Nights from the 17th century. Since then, it has undergone a number of treatments. And it was Puccini's librettists Giuseppe Adami and Renato Simoni who were fascinated by one of them, created by a prominent Italian playwright from the Renaissance, Carlo Gozzi. Criticizing his companion Carl Goldoni for allegedly being too French-influenced in his work, he turned to fairy-tale themes inspired by the famous form of Italian folk theater - the commediou dell´arte. After all: he was far from the only one fascinated by the tale of the cruel Princess Turandot. After all, at the beginning of the twentieth century, one of the greats of the art of staging at the time took it, the great reformer (not only) of the Russian theater JB Vachtangov - and his stage performance of Gozzi's work lasted on the stage in 1,500 reruns for several decades! It is strange that this topic also enchanted the phenomenon of Giacomo Puccini's veristic opera. Verism is opera realism: and at the forefront of its interest are harsh and moving stories from life, such as the fate of the fragile Mimi of Bohemia, Floria Tosca of the author of the same name, but speaking of verists, the tragedy of the old principal Cania of Leoncavall's Comedians, who will be brought to a terrible end by burning jealousy. But what does a fairy tale have in common with such a realistic view of the world? Well: this is not the only case in which the composer seeks deep truths about the depths of human souls in a fairy tale. Can we say, such, Dvořák's Rusalka is a "pure fairy tale"? Don't we see a glimpse of deeper psychology in the image of a water fairy whose dark spell bound its tongue? So Puccini, though in a completely different musical language, leans towards the characters of the fairy tale with a deep knowledge of the human psyche, as if they were real beings. Where are the boundaries of reality and fairy tales?

English

Turandot by Puccini, O 07 nov 2017, No (2017/2018), Režisēja Jozef Bednárik,, Diriģents Rastislav Stur, Dušan Štefánek, Slovak National Theatre New Building, Bratislava, Slovakia

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