Name: Vasily Petrenko & Siobhan Stagg
Start: 2022-11-12T00:00:00.000Z
End: 2022-11-13T00:00:00.000Z
Location: Berliner Philharmonie

Organization

Conductor

Vasily Petrenko

Singer

Soprano

Siobhan Stagg

Orchestra

Rundfunk-Sinfonieorchester Berlin

Vasily Petrenko & Siobhan Stagg

Berlin

Germany

Konzerthaus Berlin

Berliner Philharmonie

Vasily Petrenko & Siobhan Stagg: Concert

Public

Concert

Viacheslav Shumov

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Contralto

Bass-baritone

Mezzo-soprano

Tenor

Baritone

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

It is an ability of music to be able to disarm death, especially love death, by allowing what was supposedly dead to continue to sound alive. Alban Berg's seven early songs, from "overflowing warmth of feeling" (Arnold Schönberg), were only published late, in 1985, for Berg's 100th birthday. The compositions were once intended for Helene Berg, who she carried tenderly through the storms of life until her death. Alexander Zemlinsky sings about another death, that heart-moving death of the little mermaid based on Hans Christian Andersen's fairy tale of the same name, with the most beautiful, moving music available to him. The spiritual and stylistic relationship between the three-movement tone poem "Die Seejungfrau" (1902) and Gustav Mahler's "Klagendem Lied" and Arnold Schönberg's "Gurre-Lieder" is as obvious as intended.

English

Es ist eine Fähigkeit von Musik, den Tod entwaffnen zu können, zumal den Liebestod, indem sie lebendig weiterklingen lässt, was da vermeintlich gestorben ist. Alban Bergs Sieben frühe Lieder, von „überströmender Wärme des Fühlens“ (Arnold Schönberg), wurden erst spät veröffentlicht, 1985, zum 100. Geburtstag Bergs. Die Kompositionen hatten einst Helene Berg gegolten, von ihr zärtlich durch die Stürme des Lebens getragen bis zu ihrem Tod. Einen anderen Tod, jenen herzbewegenden der kleinen Seejungfrau nach Hans Christian Andersens gleichnamigem Märchen, besingt Alexander Zemlinsky mit der schönsten, ergreifendsten Musik, die ihm zu Gebote steht. Die geistig-stilistische Verwandtschaft der dreisätzigen Tondichtung „Die Seejungfrau“ (1902) zu Gustav Mahlers „Klagendem Lied“ und zu Arnold Schönbergs „Gurre-Liedern“ ist so ohrenfällig wie beabsichtigt.

Deutsch

Vasily Petrenko & Siobhan Stagg by Various, De (2022/2022), Director musical Vasily Petrenko, Berliner Philharmonie, Berlin, Germany

Crèdits de representació (Repartiment i equipatge )

Repartiment

Conjunt

Programa, Sobre i Resum

Fotografies

Per llegir més

Dates i llocs d'actuació

Llocs