Name: Victoires
Start: 2021-07-18T00:00:00.000Z
End: 2021-10-11T00:00:00.000Z
Location: Scuola Grande di San Giovanni Evangelista

Organization

Soprano

Judith van Wanroij

Palazzetto Bru Zane

Orchestra

Quatuor Cambini-Paris

Victoires

Venice

Italy

Scuola Grande di San Giovanni Evangelista

Victoires! – Operatic revolutions under Napoleon I
Opera arias transcribed for voice and string quartets

Judith van Wanroij, soprano
QUATUOR CAMBINI-PARIS
Julien Chauvin and Karine Crocquenoy, violins
Pierre-Éric Nimylowycz, viola
Atsushi Sakaï, cello

Concert programme
00:01:20 Jean-Baptiste LEMOYNE: Phèdre, Air de Phèdre « Il va venir »
00:04:34 Luigi CHERUBINI: Les Abencérages, Air de Noraïme « Épaissis tes ombres funèbres » 
00:08:41 Hyacinthe JADIN: Quatuor op. 3 n° 3 en la mineur – IV. Finale. Agitato 
00:12:50 Luigi CHERUBINI: Anacréon, Air de Corinne « Jeunes filles » 
00:18:28 Pierre BAILLOT: Quatuor op. 34 n° 1 en si mineur – III. Larghetto 
00:24:42 Georges GRANGES DE FONTENELLE: Médée et Jason, Air de Médée « Bannissons, mes chers fils » 
00:31:18 Jean-François LE SUEUR: La Mort d’Adam, Air de Sélime « Il lira dans mon cœur »
00:34:08 Étienne-Nicolas MÉHUL: Valentine de Milan, Romance de Valentine « Vaillant guerrier » 
00:38:08 Christoph Willibald GLUCK: Iphigénie en Aulide, Air d’Iphigénie « L’ai-je bien entendu ? » 
00:41:44 Giuseppe Maria CAMBINI: Quatuor op. 18 n° 2 en sol mineur – I. Allegro affettuoso 
00:47:28 Antonio SALIERI: Les Danaïdes, Air d’Hypermnestre « Par les larmes dont votre fille » 
00:50:15 Antonio SACCHINI: Œdipe à Colone, Air d’Ériphile « Dieux ! ce n’est pas pour moi » 
00:52:31 Gaspare SPONTINI: La Vestale, Air de Julia « Toi que je laisse sur la terre » 
00:56:34 Niccolò PICCINNI: Didon, Air de Didon « Non, ce n’est plus pour moi »
01:01:07 Gaspare SPONTINI: La Vestale, Air de Julia : « Ô des infortunés »


Like Louis XIV, Napoleon understood how useful art could be to promote his image and ideology. Opera was one of the cogs in his shrewd policy. His determination materialized thanks to an army of composers grouped together in the Conservatoire, which had opened in 1795, including Catel, Le Sueur and Méhul. His conquest of Italy also led to his discovery of Paisiello, and this decisive encounter opened the doors of the Paris Opera to composers such as Spontini and Cherubini, who would invent the monumental Romanticism that Wagner and Verdi would later feed on. The programme presented by Judith van Wanroij and the Quatuor Cambini-Paris aims to illustrate the ebullience of this laboratory for opera composition.

Victoires: Concert Various

Public

Concert

Approved

Like Louis XIV, Napoleon understood how useful art could be to promote his image and ideology. Opera was one of the cogs in his shrewd policy. His determination materialized thanks to an army of composers grouped together in the Conservatoire, which had opened in 1795, including Catel, Le Sueur and Méhul. His conquest of Italy also led to his discovery of Paisiello, and this decisive encounter opened the doors of the Paris Opera to composers such as Spontini and Cherubini, who would invent the monumental Romanticism that Wagner and Verdi would later feed on. The programme presented by Judith van Wanroij and the Quatuor Cambini-Paris aims to illustrate the ebullience of this laboratory for opera composition.

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