Name: Violetta·s
Start: 2023-02-22T00:00:00.000Z
End: 2023-02-23T00:00:00.000Z
Location: Salle Poirel

Organization

Conductor

William Le Sage

Stage director

Laëtitia Guédon

Dramaturge

Vanasay Khamphommala

Assistant Scenography

Éric Da Graça Neves

Chorus master

Célia Pierre

Opéra national de Lorraine

Orchestra

Orchestre de l'Opéra national de Lorraine

Arrangement

Julien Mazet

francúzština

Violetta·s

Nancy

France

Salle Poirel

Violetta·s: La traviata Verdi

Public

La traviata

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Video designer

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Mezzo-soprano

Singer

Bass-baritone

Countertenor

Baritone

Soprano

Contralto

Tenor

Spoken

Child vocalist

Silent

Alto

Continuo

This season, the Opéra national de Lorraine closes the year with Giuseppe Verdi's operatic monument La Traviata. This romantic drama is the starting point for a large-scale cultural action program, the Violetta·s project, designed to question gender archetypes in opera. At the heart of La Traviata, the character of Violetta combines all the characteristics of the lyrical heroine: sublime, passionate lover and great martyr. However, as a successful courtesan, she also redefines the contours of social conventions. The ambition of Violetta·s project is to create a piece of musical theater based on a reflection on gender identity. Who would Violetta be if she were not the stereotype of the woman, conceived under a male gaze specific to another era? To answer this question, the Opéra national de Lorraine brought together transgender people for whom reflection on identity is fundamental. Under the aegis of artist Vanasay Khamphommala, this troupe of non-professional playwrights drew on Verdi's libretto to question the different dimensions of Violetta's personality, and thus explore what the opera does not say.

The Opera has entrusted the staging of this project to Laëtitia Guédon, a director who is well-versed in the exercise of transmission. This artist, director of the Plateaux Sauvages theater in Paris, works for cultural crossbreeding and her work synthesizes distant artistic aesthetics. She will lead the troupe of non-professional playwrights to the Salle Poirel stage, engaging them in assiduous theatrical work.

The Violetta·s project is a contemporary tribute to an operatic masterpiece, combining contemporary theatrical creation and operatic musical practice. The musical dimension of the project has been entrusted to the conductor William Le Sage. Alongside him, the choir of musicology students from Université de Lorraine and vocal technique students from Conservatoire de Nancy, their teacher Célia Pierre, and the Opera Orchestra will defend Verdi's extraordinary score.

English

Violetta·s by Verdi, Od (2023/2023), Režírované Laëtitia Guédon,, Dirigent William Le Sage, Salle Poirel, Nancy, France

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