Name: Whelan
Start: 2024-09-26T00:00:00.000Z
End: 2024-09-26T00:00:00.000Z
Location: Espoo Cultural Centre (Espoon kulttuurikeskus)

Admin

Tapiola Sinfonietta

Conductor

Peter Whelan

Orchestra

Whelan

Espoo

Finland

Espoo Cultural Centre (Espoon kulttuurikeskus)

Tapiolasali

Public

Concert

Brandenburg Concerto No. 1 in F Major BWV 1046

Pulcinella, suite

Ich liebe den Höchsten von ganzem Gemüte, BWV 174

Battalia à 10

Brandenburg Concerto No.2 in F Major, BWV 1047

Samabedona Majumder

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Tenor

Singer

Bass

Baritone

Contralto

Mezzo-soprano

Soprano

Countertenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Peter Whelan, who rose to fame as a period bassoonist, is known for playing in many baroque ensembles. He is the right man to conduct Bach's first and largest Brandenburg, in which the winds play a prominent role. In the second Brandenburg soloist, there are treble instruments, trumpet, flute, oboe and violin. In the prelude to Cantata No. 174, Bach used themes from the Third Brandenburg Concerto. Biber's battle depiction Battalia represents the earlier German baroque, where warfare is sad, but sometimes also a comic activity. In the 17th century, armies from different countries rumbled all over Europe, and even in this Battalia, it is not known who is fighting and why. In Pulcinella, Stravinsky found the past and breathed life into the notes of the 18th century, which he found in the Naples library, in the sparkling 1920s.

English

Periodifagotistina maineeseen noussut Peter Whelan tunnetaan monien barokkiyhtyeiden riveistä. Hän on oikea mies johtamaan Bachin ensimmäistä ja suurinta Brandenburgilaista, jossa puhaltimilla on näyttävä rooli. Toisessa Brandenburgilaisessa solisteina on diskanttisoittimia, trumpetti, huilu, oboe ja viulu. Kantaatin nro 174 alkusoitossa Bach hyödynsi kolmannen Brandenburgilaisen konserton aiheita. Biberin taistelukuvaus Battalia edustaa varhaisempaa saksalaisbarokkia, jossa sodankäynti on surullista, mutta välillä myös koomista touhua. 1600-luvulla erimaalaiset armeijat rymistelivät Eurooppaa pitkin ja poikin, eikä tässäkään Battaliassa tiedetä, ketkä taistelevat ja miksi. Pulcinellassa Stravinsky löysi menneisyyden ja puhalsi Napolin kirjastosta löytämiinsä 1700-luvun nuotteihin kuohuvaa 1920-lukua henkivän elämän.

suomi

Whelan by Bach, J. S., Stravinsky, Biber, Od (2024/2024), Dirigent Peter Whelan, Espoo Cultural Centre (Espoon kulttuurikeskus), Espoo, Finland

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