Name: Yevgeny Onegin
Start: 2016-12-28T00:00:00.000Z
End: 2017-03-25T00:00:00.000Z
Location: National Theatre

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Organization

Singer

Soprano

Jasmina Trumbetaš Petrović

Tatiana

Ana Petrović

Nevena Bridgen

Baritone

Nikola Mijailovic

Eugene Onegin

Vladimir Andrić

Contralto

Nataša Jović Trivić

Olga

Aleksandra Angelov

Višnja Radosav

Tenor

Dejan Maksimović

Lensky

Nenad Čiča

Mezzo-soprano

Nataša Rašić

Larina

Dubravka Filipović

Filippyevna

Bass

Dragoljub Bajić

Prince Gremin

Nenad Jakovljević

Igor Matvejev

Triquet

Stevan Karanac

Predrag Gligorić

Company Commander

Gavrilo Rabrenović

Mihailo Šljivić

Zaretsky

Stahinja Đokić

Conductor

Dejan Savić

Aleksandar Kojić

Stage director

Radoslav Zlatan Dorić

Set designer

Aleksandar Zlatović

Costume designer

Ljiljana Orlić

Choreographer

Vladimir Logunov

National Theatre Belgrade

Orchestra

Belgrade National Theatre Orchestra

Others

National Theater in Belgrade

Yevgeny Onegin -  (Eugene Onegin)

Belgrade

Serbia

National Theatre

Yevgeny Onegin

Public

Approved

Libretto was written by the composer in cooperation with Konstantin Shilovsky after Aleksandar Pushkin’s novel in verse by the same name. The first performance took place in Moscow on 29th March 1897. The first performance in Belgrade took place on 8th May 1920. Opera Eugene Onegin by Pyotr Ilyich Tchaikovsky is considered the most popular Russian opera in Russia and worldwide. It was the second opera produced by the National Theatre’s Opera, right after Pucini’s Madame Butterfly, with which the Opera started its professional activities in 1920. Tchaikovsky was looking for a suitable story or a finished libretto for his next opera. Lavrovskaya, a well-known singer, talked to him about Pushkin’s novel in verse Eugene Onegin in April 1877. “I need a plot with one basic motif, such as love, honour, jealousy, love for the country,” wrote Tchaikovsky, “I was enchanted when I read the novel.” (…) In Tchaikovsky’s musical interpretation, the characters received a new, fourth dimension, and became our close acquaintances, or should we say friends. We empathize with them and follow their every breath, glance and move. Tchaikovsky gave life to the circumstances and the time of the plot from the very opening of the overture. He portrays both the tranquillity of a village and the glamour of the capital city. The nature also has its gentle sound representation. However, the opera’s main strength is the psychological complexity of characters.

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