Name: Za razmislek
Start: 2024-03-24T00:00:00.000Z
End: 2024-03-24T00:00:00.000Z
Location: Slovenska filharmonija

Organization

Admin

Slovenska filharmonija

Dirigat

Stephen Layton

Others

Slovenian Philharmonic Choir

Instrument

Harrison Cole

Organ

Mezzosopran

Ana Potočnik

Mezzo-soprano

Bariton

Peter Grdadolnik

Baritone

Za razmislek

Ljubljana

Slowenien

Dvorana Marjana Kozina

Za razmislek: 4 Motets pour un temps de pénitence, FP 97 Poulenc (+2 More)

Public

4 Motets pour un temps de pénitence, FP 97

Prélude et Fugue sur le nom d'Alain, Op 7

Requiem, op 9

Genehmigt

Bass

Instrumentalist

Klavier

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Komposition

Regie

Libretto

Bühnenbild

Kostümbild

Choreographie

Lichtgestaltung

Tänzer

Schauspiel

Chordirektion

Videogestaltung

Dramaturgie

Übersetzung

Tongestaltung

Korrepetition

Maske

Leitender Produzent

Haar

Andere

Stage Manager

Chor

Orchester

Poet

GesangslehrerIn

Lehrer

Photographer

Rundfunk

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Singer

Bass-Bariton

Tenor

Sopran

Countertenor

Gesprochen

Kinderstimme

Leise

Alto

Continuo

Poulenc's vocal music was strongly marked by his conversion to the Catholic faith in 1936. After setting the Misse brevis (1937) to music, he returned to writing sacred music to Latin texts, composing four Lenten motets in 1938–1939. Using modern harmonic means, he transformed the gloomy text of the Holy Week responsories, which speak of fear, disappointment and loss, into an expressive image of man's confrontation with suffering and transience.

Duruflé began composing the Requiem as early as World War II, and completed the work in September 1947. He used the Latin text of the Requiem Mass, omitting some parts , following the example of Gabriel Fauré's Requiem , and structuring it into nine movements. At the time of the commission, he composed an organ suite using themes from Gregorian chants. He also included his sketches for this piece in the Requiem , which uses many themes from the Gregorian Mass for the dead, so the work is calm and meditative in its musical expression.

English

Poulencovo vokalno glasbo je močno zaznamovala njegova spreobrnitev h katoliški veri leta 1936. Po uglasbitvi Misse brevis (1937) se je vrnil k pisanju sakralne glasbe na latinska besedila, ko je v obdobju 1938–1939 uglasbil štiri motete za postni čas. Mračno besedilo responzorijev velikega tedna, ki govorijo o strahu, razočaranju in izgubljenosti, je z uporabo sodobnih harmonskih sredstev prelil v ekspresivno podobo človekovega soočenja s trpljenjem in minljivostjo.

Duruflé je s komponiranjem Rekviema pričel že v času druge svetovne vojne, delo pa je dokončal septembra 1947. Uporabil je latinsko besedilo maše zadušnice, pri čemer je po zgledu Rekviema Gabriela Fauréja izpustil nekatere dele in ga strukturiral v devet stavkov. V času naročila je komponiral orgelsko suito z uporabo tem iz gregorijanskih koralov. Svoje skice za to skladbo je vključil tudi v Rekviem, ki uporablja številne teme iz gregorijanske maše za umrle, zato je delo v svojem glasbenem izrazu umirjeno in meditativno.

slovenščina

Za razmislek by Poulenc, Duruflé, So. 24 März 2024, Ab (2024/2024), Dirigat Stephen Layton, Slovenska filharmonija, Ljubljana, Slowenien

Aufführungskredite (Besetzung & Produktionsteam )

Ensemble

Programm, Info & Synopsis

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte