Izrādes kredīti
Gaidāmās izrādes Šodien Uz priekšu
Iepriekšējās izrādes 2008 — vakar
Die Fledermaus (The Bat), Strauss II
Teatro Nacional de São CarlosAdele
Skatīt dalībniekus un komanduIl viaggio a Reims (The Journey to Reims), Rossini
Égide Portuguese Arts AssociationMadama Cortese (Madame Cortese)
Skatīt dalībniekus un komanduL'elisir d'amore (The Elixir of Love), Donizetti
Teatro Nacional de São CarlosAdina
Skatīt dalībniekus un komanduSymphony No. 2, op. 52 (Symphony No. 2 in B-flat Major, op. 52 ("Hymn of Praise")), Mendelssohn
Fundação Centro Cultural de BelémSopran I (Soprano I)
Skatīt dalībniekus un komanduConcerto De Primavera, Various
Chamber Orchestra of Cascais and OeirasSoprano
Skatīt dalībniekus un komanduPiedāvātās iepriekšējās izrādes
Il viaggio a Reims (The Journey to Reims), Rossini
Égide Portuguese Arts AssociationMadama Cortese (Madame Cortese)
Skatīt dalībniekus un komandu
L'elisir d'amore (The Elixir of Love), Donizetti
Teatro Nacional de São CarlosAdina
Skatīt dalībniekus un komandu
Symphony No. 2, op. 52 (Symphony No. 2 in B-flat Major, op. 52 ("Hymn of Praise")), Mendelssohn
Fundação Centro Cultural de BelémSopran I (Soprano I)
Skatīt dalībniekus un komandu
Concerto De Primavera, Various
Chamber Orchestra of Cascais and OeirasSoprano
Skatīt dalībniekus un komanduGaidāmās izrādes
5Falstaff, Verdi
Teatro Regio di ParmaNannetta (Nannette)
Skatīt dalībniekus un komanduBiogrāfija
Rita Marques was born in Caldas da Rainha, Portugal. She completed her Singing degree in Escola Superior de Música de Lisboa (2010-2013) in Silvia Mateus’ class. She has already been Königin der Nacht in “Die Zauberflöte” by W. A. Mozart; Princess, Young Lady and Dame in “Lady Sarashina” by P. Eötvos; Despina in “Così fan tutte” by W. A. Mozart; Sofia in “Il Signor Bruschino” by G. Rossini and Soeur Alice in “Dialogues des Carmelites by F. Poulenc. With a Fundação Calouste Gulbenkian/ENOA – European Network of Opera Academies scholarship, she attended workshops with Claudio Desderi (FCG, Lisbon, Oct/2014, Jun/2015, Oct/2015), June Anderson and Cecilia Gasdia (Verona, Sep/2015) and the “Wiener Operette Workshop” in the Bayrische Theatherakademie (Munique, Oct/2015). In 2016/2017 she attende
