Kanttila Management

Bariton

Sergey Kaydalov

Artist

Approved

2023

2022

2021

2020

2019

include virtual contributors

context entity

Pianist*in

Geiger

Cellist

Bratschist

Flötist*in

Klarinettist*in

Kontrabassist

Hornist

Perkussionist

Oboist

Gitarrist

Trumpeter

Organist

Fagottist

Trombonist

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Saxophonist

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Bassist

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Timpani

Mandolinenspieler

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Chor

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Schlagzeuger

Cornettist

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E-Bass-Gitarrist

Tabla Player

Tenor Violinist

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Pan Flute Player

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Bassettklarinettist*in

Baroque Trumpetist

Chalumeau Player

Psaltery Player

Begleiter

Synthesizer Player

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Citternist

Claves Player

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Basso continuo

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Komposition

Dirigat

Regie

Libretto

Bühnenbild

Kostümbild

Tanzen

Choreographie

Schauspiel

Lichtgestaltung

Chordirektion

Musikredakteur (Verlag)

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Maskenbildner

Leitender Produzent

Musiktheaterdarsteller

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Violin

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Writer

GesangslehrerIn

Fotograf

Lehrer

Ballettmeister

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Live Illustration

Orchester

Übertitelbetreiber

Technischer Direktor

Electronics

Musikwissenschaftler

Agentur

Filmregisseur

Playwright

Rundfunk

Stimmlehrer

Journalist

Liedtexter

trumpet

Bass Guitar

Piano

Geschäftsführer

Chorleiter

Casting-Direktor

Muppeteer

Jazz Vocal Artist

Tänzer

Assistant director collaborator

Direktor Für Publikum Und Entwicklung

Executive Production

Orchesterbetrieb

PR-Manager

Grip

Leiter Für Requisiten Und Bühnenbild

Bühnen- Und Produktionsleiter

Statist

Bühnenmusikalischer Leiter

Artistic Planning & Administration

Sopran

Tenor

Mezzosopran

Bass

Bass-Bariton

Kinderstimme

Gesprochen

Countertenor

Leise

Alto

Dichter

Chorsänger

Presentamos la temporada 2022-2023 de Ópera de Tenerife.www.operadetenerife.com

Un ballo in maschera Verdi

Sir John Falstaff is an anarchist who only bows to the dominion of his own pleasure, an egoist who only indulges in his absolutist abundance of power and body and would like to grind down the narrow-minded moral concepts of his fellow human beings like the city walls of a fortress by having two women parallel to each other to seduce. Of course that goes wrong, but those who want to unmask him lose a lot of feathers in the confusion they stage around him - and which the viewer just about sees through. "Tutto nel mondo è burla," but these antics are only funny because falling into the abyss poses quite a serious risk. The "Otello" librettist Arrigo Boito has distilled a linguistically ingenious libretto from Shakespeare's template with finesse, which Verdi drives to highly complex compositional heights. Staging: Calixto Bieito Stage design: Susanne Gschwender Costumes: Anja Rabes Dramaturgy: Bettina Auer Lighting: Michael Bauer

https://www.staatsoper-hamburg.de/

Sergey Kaydalov

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