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3

"South African tenor Sunnyboy Dlada seemed perfectly comfortable as Prince Ramiro, reaching the required stratospheric heights with no signs of strain and much virtuosity, his light and lyrical voice well suited to Rossini. He was awe-inspiring in the aria "Si, ritrovarla io giuro" (Yes, I swear to find her again) in Act 2 after Angelina (Cenerentola) has given him a bracelet." [Bachtrack.com - February 2017] La Cenerentola, Opera North Full Article

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27 marzo 2017[BACHTRACK.COM - FEBRUARY 2017]

"Sunnyboy Dladla had all that was required of the Prince: good looks, a commanding stage presence and a ringing tenor voice that has to cope with vertiginous high Cs and Ds." [Seen and Heard International - February 2017] La Cenerentola, Opera North Full Article

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27 marzo 2017" [SEEN AND HEARD INTERNATIONAL - FEBRUARY 2017]

Recensioni di produzioni precedenti

1
Il barbiere di Siviglia, Rossini
D: Nicola Hümpel
C: Giulio Cilona
Hannover, Staatsoper Hannover, Der Barbier von Sevilla – Gioacchino Rossini

Welch Gegensatz ist da Daniel Miroslaws Basilio, den er elitär und etwas spießig anlegt. Mit einem voluminösen Bass ausgestattet, konnte er besonders mit der La calunnia-Arie überzeugen und sorgt zudem für so manchen Lacher durch sein lebhaftes Spiel im Quintett des zweiten Aktes

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18 febbraio 2020www.ioco.deChristian Biskup