Mezzosopran

Yoojin Lee

Artist

Approved

2019

Individual contributor id

include virtual contributors

Klavier

Instrumentalist

Violinist

Cellist

Violist

Clarinetist

Flötist*in

Percussionist

Guitarist

hornist

Organist

Oboist

Bassoonist

Trumpeter

Kontrabass

Trombonist

Harp player

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Theorbist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Basso Continuo

Vibraphonist

Cornettist

Viola d’amore Player

Synthesist

Komposition

Dirigat

Regie

Libretto

Bühnenbild

Kostümbild

Choreographie

Lichtgestaltung

Tanzen

Schauspiel

Chordirektion

Videogestaltung

Dramaturgie

Übersetzung

Tongestaltung

Korrepetition

Maske

Leitender Produzent

Haar

Andere

Stage Manager

Chor

Orchester

GesangslehrerIn

Poet

Lehrer

Photographer

Rundfunk

Wig & Makeup Designer

Illustrator

Writer

Writing and performance

Chorus Director

Orchestra Operations

Extra

Countertenor

Singer

Tenor

Bariton

Bass-Bariton

Bass

Sopran

Gesprochen

Kinderstimme

Leise

Alto

Michi Wiancko discusses her journey from violinist to composer and the process of writing her first opera, “Murasaki’s Moon,” based on the 11th-century Japanese novel “The Tale of Genji”
and written in collaboration with librettist Deborah Brevoort. 

“Murasaki's Moon” earned On Site Opera a 2018 Commissioning Grant for Female Composers. The grant was awarded through OPERA America’s Opera Grants for Female Composers program, which is funded by the Virginia B. Toulmin Foundation. Since its inception in 2013, the program has awarded nearly $1 million to support the development of operas by women.

To learn more about OPERA America's Granting programs, visit operaamerica.org/grants

Murasaki's Moon Wiancko

Yoojin Lee

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