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5
With a no-nonsense ‘Il trovatore,’ WNO comes back with a vengeance

"Lighting designer AJ Guban’s crimson, blue and stained-glass effects beautifully softened the edges of the set, while S. Katy Tucker’s projections deepened the psychological stakes."

Citeste mai mult
23 Octombrie 2022www.washingtonpost.comMichael Andor Brodeur
WASHINGTON NATIONAL OPERA’S IL TROVATORE: THE EXOTIC PLEASURE OF EMPATHY

"In this production, the use of panels in angular geometric designs, prettily lit, added an interesting dimension to this staging. Typically, directors use dark elements to portray this opera with dark storylines. Set designer Erhard Rom, Projection Designer S. Katy Tucker, and Lighting Designer A. J. Guban used beautiful colors and designs to add to our pleasure in all that sorrow."

Citeste mai mult
23 Octombrie 2022operagene.comOpera Gene

Recenzii de producție anterioare

2
Il trovatore, Verdi
D: Brenna Corner
C: Michele Gamba
With a no-nonsense ‘Il trovatore,’ WNO comes back with a vengeance

"Lighting designer AJ Guban’s crimson, blue and stained-glass effects beautifully softened the edges of the set, while S. Katy Tucker’s projections deepened the psychological stakes."

Citeste mai mult
23 Octombrie 2022www.washingtonpost.comMichael Andor Brodeur
WASHINGTON NATIONAL OPERA’S IL TROVATORE: THE EXOTIC PLEASURE OF EMPATHY

"In this production, the use of panels in angular geometric designs, prettily lit, added an interesting dimension to this staging. Typically, directors use dark elements to portray this opera with dark storylines. Set designer Erhard Rom, Projection Designer S. Katy Tucker, and Lighting Designer A. J. Guban used beautiful colors and designs to add to our pleasure in all that sorrow."

Citeste mai mult
23 Octombrie 2022operagene.comOpera Gene