Crèdits de representació
Actuacions passades 2014 — Ahir
La vie parisienne (Parisian Life), Offenbach
Madlenianum Opera and TheatreSoloist
Veure elenc i equip-
La vie parisienne (Parisian Life), Offenbach
Madlenianum Opera and TheatreLa Baronne de Gondremarck (The Baroness of Gondremarck)
Veure elenc i equip-
Parisian Life, Offenbach
Madlenianum Opera and TheatreLa Baronne de Gondremarck (The Baroness of Gondremarck)
Veure elenc i equipLa vie parisienne (Parisian Life), Offenbach
Madlenianum Opera and TheatreLa Baronne de Gondremarck (The Baroness of Gondremarck)
Veure elenc i equipLe nozze di Figaro (The Marriage of Figaro), Mozart
Opera Nationala Romana TimisoaraLa Contessa di Almaviva (The Countess of Almaviva)
Veure elenc i equip-
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Actuacions anteriors destacades
La vie parisienne (Parisian Life), Offenbach
Madlenianum Opera and TheatreLa Baronne de Gondremarck (The Baroness of Gondremarck)
Veure elenc i equip-
Parisian Life, Offenbach
Madlenianum Opera and TheatreLa Baronne de Gondremarck (The Baroness of Gondremarck)
Veure elenc i equip
La vie parisienne (Parisian Life), Offenbach
Madlenianum Opera and TheatreLa Baronne de Gondremarck (The Baroness of Gondremarck)
Veure elenc i equip
Le nozze di Figaro (The Marriage of Figaro), Mozart
Opera Nationala Romana TimisoaraLa Contessa di Almaviva (The Countess of Almaviva)
Veure elenc i equip-
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Biografia
Ana Cvetkovic is a much-praised lyric-coloratura soprano from Serbia. Whether she per-forms recitals, sings with a chamber ensemble or carries out some of the most significant opera roles, Ana Cvetkovic-Stojnic is vocally, theatrically and visually a first-class. Her first significant opera engagement was at German State Opera House, Coburg (2014-2017) where she had the chance to expand her repertoire in 15 different roles. She made a breakthrough with the part of Konstanze („Die Entführung aus dem Serail“) which brought her sensational reviews – the critics described her Konstanze as a fascinating combination of seemingly effortlessly coloratura-speed and lyrical intensity. Besides her “fragile-tough” interpretation of Mozart’s heroine, the highlight of Ana’s career, so far, are the rol
