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Royal Academy Opera – The Magic Flute

Similarly, Camilla Saba Davies’s Queen of the Night, intriguingly costumed as something akin to a dragonfly, has vocal confidence, technical brilliance, emotional depth and a wonderfully malevolent Ortrud-esque quality to it. Both arias were smashing.

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13 Noiembrie 2019www.classicalsource.comAlexander Campbell
confused in love

Camilla Saba Davies, whose soprano voice, which alternates between lyrical and furious moments, is believed to be capable of anything, is transformed into Ernestina; before that it was still the role of the bubbly Franziska Weber.

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17 Noiembrie 2021www.sueddeutsche.dePaul Schäufele