The fact that the ensemble of the Theater Freiburg has been acting at the highest level, especially in terms of vocals, is impressively demonstrated by this production. In addition to the main actors Butterfly and Benjamin F. Pinkterton, sung and played by Irina Jae Eun Park and Joshua Kohl, especially the Characters by Suzuki and Sharpless, who are portrayed more than formidably by Inga Schäfer and Anja Jung as well as John Carpenter. Through their impressive acting and musical achievements, the dramaturgy, which becomes more and more overwhelming in the course of the play, is made even more tangible. (...) " Madama Butterfly" manages in an impressive way to captivate the audience with a current topic and showsthat a form of theater that is difficult to access, especially for young audiences, can be made accessible.
A butterfly has four lives – or rather stages of development. The last two are certainly the most exciting: the chrysalis and chrysalis and the brief existence as a moth. It is only at this stage that we really perceive him in his beauty paired with vulnerability. Like the US naval officer Benjamin F. Pinkerton in Giacomo Puccini's opera "Madama Butterfly", who, impressed by the exoticism and beauty of the title character, "bought" it like a toy, like a doll, in order to relax after a few pleasant hours turn away from her. Without knowing that this "pairing" was not without consequences. Why should he be more interested in this butterfly? Puccini's opera does that. And that is the reason why it has touched us so deeply and painfully ever since the triumph of its revised version in 1904. Because she lets you empathize with the title character and shows insistently what a lack of respect can trigger.
She is the strongest and most imaginative girl in the world, lives with the monkey Mr. Nielsson and the horse Little Uncle in the Villa Kunterbunt, where she waits for her pirate dad, who was washed off board the Hoppetosse on a stormy night - but certainly not drowned.